Best of 2016 and Welcome 2017!

I have never done a traditional “best of” perfume post before. Mostly, because as a result of my “no reviews” blog moto I do not really try to judge any perfumes – be that old or new releases – objectively, weighing their strong and weak points, but rather satisfy my curiosity, figure out whether I like perfume or not and move on. And if there is no story in it for me, there is nothing to tell on my blog.

So why am I doing this post, has anything changed? Not really. But as I was checking out the list of 2016 releases (I’m going to post my regular year round-up statistics post early in January), it occurred to me that this year I could safely name my Top 10 perfumes of 2016 since there were exactly 10 perfumes that I actually liked. So even though any list would be subjective, in this case I wouldn’t have to justify for myself why I put one of the perfumes on the list while leaving others out.

Candles

Puredistance Sheiduna – warm, spicy and addictive, this perfume will most likely join my collection when I’m done with the travel spray graciously sent to me by the brand.

Jul et Mad Secrets du Paradis Rouge is cheerful, with a perfect combination of fruity and floral notes. I can see it as one of my evening tropical vacation perfumes.

Two perfumes from Jo MaloneOrris and Sandalwood and Orange Bitters – made it up for me for the disaster that their limited Garden Collection was. I’ll probably be fine without the iris one (I have enough great irises in my collection) but I’ll enjoy wearing Orrange Bitters while my decant (thank you, hajusuuri!) lasts.

Since mimosa is one of my favorite scents in nature, I’m constantly in the search for the perfect mimosa perfume (to which three takes in my Single Note Exploration series can attest). So it’s not a surprise that two mimosa scents made it to my top 10 list this year. Once I got over the fact that Atelier Cologne Mimosa Indigo has nothing to do with mimosa (instead, it’s a very delicate, if you can use that characteristic for the material, leather perfume), I fell in love with it and welcomed a small bottle into my collection. Prada Infusion de Mimosa is much more about mimosa but this variation still maintains the backbone of the Infusion line, which I happen to like. I got to try this perfume thanks to Lucas (Chemist in the Bottle) but it is not available in the U.S. yet, which might be partially a blessing: at this stage of my perfume hobby, I do not need 100 ml of any perfume (though, it might have been easier to buy a decant had Prada brought the perfume to the market here).

The next two perfumes were everybody’s favorites, so I’ll just mention that for the last couple of weeks I keep testing and liking Masque L’Attessa and Hiram Green Arbolé Arbolé. It’s too early to say if I’ll go for any of these two beyond testing but I’ve been enjoying the experience.

Amouage Myths Woman has restored my faith in my favorite brand. For a while none of the new releases really moved me, so I almost accepted that I’d have to stay with my classic favorites from the line. Myths is not just beautiful and happy perfume, but it’s also one of a few from Amouage that I want to wear not in cold weather (the other one is Dia). A decant of Myths I bought in a split should do for now, but I plan to stalk this beautiful purple bottle and get it eventually.

As to perfume #10… It’s getting late so I’ll tell its story (and run a small giveaway) in one of the January posts. Not that I think that you, my friends and readers, need any special incentive to come back next year.

Happy New Year 2016!

Happy New Year to all of you! Whether 2016 was good to you or not so, I wish the new one to be better. Please make a wish at 12 (or before you go to bed, if you do not plan to stay that late), and I wish it to come true for each of you who remembers to do that.

Images: my own

Advertisements

Nature vs. …

The first thought I had while testing Puredistance Sheiduna was: it’s beautiful, I really like it! And the next one: Whatever I smell, it just cannot be natural…

Earlier this year Lucas (Chemist in the Bottle) reviewed a couple of perfumes by Nomenclature – a project by Aedes de Venustas‘ founder Karl Bradl and an interior designer Carlos Quintero. The project showcases some aroma chemicals. I’m not sure why they felt compelled to do it: not only has it been done before (as a concept) – all of Escentric Molecules‘ perfumes, Not a Perfume by Juliette has a Gun or Tauer‘s Pentachords – but also all of the above-mentioned perfumes had a much more appealing packaging. Nevertheless, they did it, and I’ve got to try four out of five perfumes from the line recently (thank you, hajusuuri). The verdict? I thought they were rather nice, but I had to agree with Steve’s (The Scented Hound) comment on that Lucas’ post:

I have no problem with synthetics and their use. Actually, the natural perfumes for the most part aren’t to my liking. That said, I have a hard time rallying around a conceptual perfume that is marketed to look like a chemistry set. Wrap it up in a pretty bottle with a pretty name and maybe I’ll come running.

Rusty and Nomenclature perfume samples

That was exactly what I was thinking. While I usually prefer everything natural in other areas of life (I recently touched it in the topic of the clothes’ fabric), when it comes to perfumes, I’m not so sure. No, actually strike that: I am sure that “all-natural” doesn’t work for me in perfume form. So far, I came across a single all-natural perfume that I really liked: Unter den Linden from April Aromatics (I did a mini-review of it in one of my Single Note Exploration posts). Absolutely all other all-natural perfumes that I’ve tried were “OK” at best…

But back to Sheiduna. I want to clarify that my thinking about it not being natural wasn’t a criticism – I was just stating the fact. The third though that was an organic continuation of those two, with which I started this post, was: I don’t really care about that fact.

I know bloggers who take offense at brands using aroma chemicals, especially when it’s done in excess, in their opinion. I’m a wrong person to judge: Molecule 01 – a pure Iso E Super – is still one of my favorite perfumes (and I fell in love with it without even knowing what I smelled). But my opinion is: if I like what I smell, I do not care about the origin of the scent I like – as long as it is… well, original.

Angel Perfumes

While I loved (and still do) Angel (I challenge anyone to tell me, which natural ingredients made it an icon – and while you’re at it, you might also try persuading me that Marilyn Monroe was a natural blonde), I never cared for all angel-wannabes that came after. The same goes for other ingredients: once they become ubiquitous, I lose my interest. But I do not hold it against those perfumes that used them first: before something has become a cliché, at some point it must have been original and … catchy.

Amber Xtreme or not, I enjoy Sheiduna and think that it’s more beautiful than hundreds of other perfumes I’ve tried – and I’m not talking only about natural perfumes. And Puredistance’s packaging is truly exceptional. I’ll happily wear Sheiduna this winter.

Rusty and Puredistance Sheiduna

Images: my own