Sunday Question: Would You Like To Smell Like Poo[h]?

I know, I know, it’s a juvenile joke, but I couldn’t help myself. I came across an ad for Mischief Academy perfumes on Instagram and decided to discuss their names and the concept with you.

 

Saturday Question on Undina's Looking Glass

 

Sunday Question #296:

Would You Like To Smell Like Poo[h]?

Perfumers Anh Ngo, Luis Hou and George Tedder created perfumes for “The Fairy Tales” collection:

  • Winnie the Pooh (Honey, Beeswax, Bergamot, Lemon, Lavender, Clary Sage, Vanilla, Tonka Bean),
  • The Little Mermaid (Pink Champagne, Lilac, Sea Salt, Ocean, Lemon Zest, Seaweed),
  • The Mad Hatter (Cognac, Rum, Toffee, Condensed Milk, Butter, Leather, Black Tea, Saffron),
  • The Cursed Apple (Red Apple, Poison (Bitter Accord), Rose, Violet, Lipstick, Wild Berries),
  • Hansel & Gretel (Gingerbread Cookies, Hot Chocolate, Rum, Cinnamon, Clove, Tonka Bean, Vanilla),
  • Pinocchio (Palo Santo, Sandalwood, Peach, Saffron, Vetiver, Cedarwood),
  • The Jungle Book (Forest Foliage, Fig Fruit, Pear, Muguet, Amber, Sandalwood, Cedarwood).

Do any of these names or notes sound interesting to you? Would you want to wear one of those (provided you liked the scent)?

My Answer

The names aside, what caught my attention was the brand behind them.

Mischief Academy, a new brand created in 2025, is one of hundreds that appear every year. It positions itself as a US-based brand (with the main address in San Francisco), but its parent company is from Vietnam. The same parent company has another perfume brand, d’Annam, which is slightly “older” (from 2023), and its portfolio holds already 25 perfumes. Two out of the three noses who created The Fairy Tales collection authored most of d’Annam’s perfumes.

d’Annam started with a Vietnamese collection, positioning itself as a Vietnamese brand. Soon after their first collection, they shifted their focus to Japan, expanding the brand’s scope to “Asian cultures.” Now we have this new brand experimenting with well-known Western fairy tales, clearly appealing to our “inner child.” For me, it feels like a pure marketing experiment without any substance, history or inspiration behind it.

But beyond all these considerations, in my opinion, perfumes for grown-ups should not be called any of those names (and perfumes for kids, even if we were to agree that something like that should exist, should not cost $120 for a 50 ml bottle). Looking back on my life, I can’t imagine any age beyond 12 years old at which I could see myself in the following dialogue:

– Mmm, you smell wonderful. What is it?
– Oh, thank you! It’s Winnie the Pooh.

 

How about you?

 

Would You Like To Smell Like Poo[h]?

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