Favorite Perfumes

Perfumes that I love and use

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Vacation in a Bottle: Yosh Ginger Ciao

I love Hawaii: beautiful nature, relaxed atmosphere and great food. And for what I value in that type of vacation the most, the best time for visiting Hawaii is late September – early October: ocean is the warmest possible while the air and sun is already tolerable at least part of the day; many tropical fruit and vegetables are the best in that season; sunsets are around dinner time; and it is slightly less crowded since school has just started.

 

Sunset on Maui

 

It’s mid-September already, and I long for that leisure week of swimming, stargazing and eating tropical fruit and fish. Sadly, this year we didn’t get to go to a tropical vacation. European trip, especially its London part, was great but I miss Hawaii. So to cope with that I’ve been recently wearing Ginger Ciao by Yosh.

 

Yosh Ginger Ciao

 

When I first tried, liked and bought Ginger Ciao six years ago, I didn’t think of it as a tropical perfume. It was a beautiful perfume, which didn’t remind me of any other perfume I wore until then – but other than that I didn’t think about it much. And then Birgit (Olfactoria’s Travels) reviewed Ginger Ciao from the sample I sent her:

Made for warm summer nights, it exudes a tropical vibe that is at once relaxing and exciting.

Birgit has always had huge influence on me, so from that moment Ginger Ciao got its tropical designation and became my number two* Hawaiian vacation perfume. It accompanied me to several trips, and I discovered that it was equally beautiful in the breezy warmth of tropical night and in sunlit heat of lazy Hawaiian day.

Ginger Ciao notes include coconut, night blooming cereus, tiger lily, neroli, ylang ylang, ginger, basil and sandalwood. Coconut is not too sweet, sandalwood is creamy, and all the floral notes sing nicely together with neither of them doing solo. It is one of those perfumes that seems simpler when you think about it remembering than it proves to be when you wear it.

 

Rusty and Yosh Ginger Ciao

 

Recently I got a bit of a scare: there was a huge sale on Yosh perfumes at Hautelook. Combined with brand’s site being down and no new releases in a while, I feared the worst. So without thinking for too long I’ve bought a back-up bottle.

Since then I calmed down and did some research. It seems that many of the online retailers still stock Yosh perfumes, full priced. Yosh Han, the brand’s owner and perfumer, is still active in perfume industry: according to her FB posts, she’s just worked at Pitti Fragranze with INEKE. So who knows: maybe one day soon Yosh releases a new chapter in her brand’s story. But meanwhile I’m happy that I’ve got an extra bottle of perfume that I love. And I’m glad to report that perfume from the new bottle smells identical to what is left in my 6 years old bottle. So, for the next 6 years I’m covered for my future trips to Hawaii (I hope) or for surviving a lack thereof.

 

Rusty and Yosh Ginger Ciao

 

Have you tried Ginger Ciao? Do you have any perfumes that you associate with beach vacation?

 

Images: my own

* Estee Lauder Bronze Goddess is my #1 tropical vacation perfume.

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Back to School: Dress Code

Living in the U.S. for the last… many years I gradually got used to the fact that kids go back to school from early August to mid-September. And still, every year on the September 1st, I think of it as of the back to school day because for the first 22 years of my life (well, technically 15 – since we would start school at 7) it was the day when all schools and all other full-time educational institutions would start their new school year.

September 1st

Because of that date that imprinted in my mind probably forever, I got an urge to post something related to it. Last week there was a community project for back to school perfumes – whatever association you’ve got with that idea. My answer was Serge Lutens De Profundis, but since I’ve previously told that story, as I was reading other commenters’ interpretations, I kept comparing their ideas with my memories.

The responses were quite interesting, people had many connections:

  • Perfumes, associated with places – Library (CB I Hate Perfume In the Library); trees in the park surrounding the school (Ormonde Jayne Woman), campus in the forest (Annick Goutal Nuit Etoilee) – my school was in the downtown, and whatever the smell was, it’s not something you want to recreate with your perfume.
  • Perfumes with the smell of pencil shavings – Serge Lutens Santal Blanc and Chene, Berdoues Arz el-rab – though I’ve sharpen my share of pencils while at school, I have absolutely no recollection as to how those smelled.
  • Perfumes with apple note – Hermes Sous le Toit de Paris and Nobile 1942 La Danza delle Libellule – I didn’t know “an apple for the teacher” saying until I moved to the U.S. long after my school years, so it is not my association as well.
  • One-off clever associations “Fracas – for the fracas that the first week of school tends to be” and “going Old School” with vintage Diorella – can’t say anything about Fracas, and did previously cover school years, Diorella and my first love.
  • Perfumes that people wore during their school years – too many to list what others wore, and since for the first 20 years of my life I was in almost monogamous relationships with Lancôme Climat, this perfume is not associated for me with starting school. Besides, I wrote about it multiple times before.

And then I read something I could relate to. I don’t remember what perfume it was but the association was: new perfume in the wearer’s perfume wardrobe (connection – new clothes for the new school year). And it suddenly resonated with my memories.

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In my school years we wore uniforms. It was the same type of uniform for all schools in the country: brown dresses with black aprons (or white aprons for dress-up occasions) for girls and navy suits for boys. They were slightly different from city to city but you wouldn’t confuse it with anything else, you could tell it was a school uniform. But even though those uniforms weren’t too exciting, every year before the start of the school year I had a surge of excitement while getting a new dress and aprons.

Once I started thinking about school and clothes, my immediate association was Guerlain Habit Rouge Dress Code.

It wasn’t like that everywhere, but my school had a very strict dress code: we weren’t allowed to wear anything but those dresses and black aprons – no extra sweaters or cardigans, no colored leggings or tights, no jewelry. Of course, we weren’t allowed any make-up. How about perfumes? To tell the truth, I have no idea. Most likely not, but I don’t think anybody would think of doing it: perfumes were scarce commodity, not for the everyday use. I don’t think even teachers wore any perfumes to work.

It is not that I think that Habit Rouge Dress Code would go well with school uniform: in my opinion, it’s a more mature perfume; and probably I wouldn’t have even liked it at that age. Also, it is far too unisex for the times when I wore that uniform. But I like Gurlein’s Dress Code today and feel excited about wearing it more often than just in the beginning of a school year.

For the real review, if you haven’t tried Habit Rouge Dress Code by now and are curious about what you’ve missed, read Kafka’s review. I just want to say that I think it’s a pity that Guerlain decided to produce it as a limited edition.

Guerlain Habit Rouge Dress Code

I have many questions today. Did you have to wear a uniform to school? What was it? Were you allowed to wear perfumes? Did you? Do you have any association for back-to-school and perfumes? (I promise not to fail you if you do not answer them all)

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Bespoke Perfumes, Who Needs Them?

From time to time I start thinking about bespoke perfumes. Not in terms that I consider ordering one for myself but in general, as of the idea itself.

If you were to do a search online for “bespoke perfume,” you’d find dozens of articles about that type of service, as well as offers of the said services. The prices start from $250 for a 50 ml bottle and goes all the way up to “contact for the price” (or 200K pounds mentioned in one of the articles – not sure how figurative was that figure).

Why wouldn’t I want to have perfume made just for me? Let’s look at it step by step. Since it is a theoretical exercise, I’ll assume that anything is possible.

Perfumer

I think it would be strange to have your perfume created by some random perfumer with whose work you are not familiar: while we can keep the discussion going whether perfume is art or not, it is definitely not pure science; and, in my opinion, not everyone can just learn how to mix ingredients and start creating amazing perfumes.

I ran a query in my database and figured out, which five perfumers created the most perfumes that I love.

 

Christine Nagel. Most of my favorites from her are her work for Jo Malone. As much as I like perfumes from that brand, do I really want my bespoke perfume to be of that “easy-wear-office-friendly” type?

Christopher Sheldrake. All Serge Lutens perfumes that I like and wear have been created by Sheldrake. But most of Serge Lutens perfumes that I do not like, were also created by him.

Bertrand Duchaufour. I like and wear many perfumes by this talented perfumer, and now when the daughter of the bloody dictator, for whom he created perfume 5 years ago (if you’ve somehow missed the story, look the Leftovers part of this post) is arrested, I probably wouldn’t mind him to be a creator of my bespoke perfume. But would he even have time? The man authors approximately one perfume per month.

Geza Schoen (presuming he actually is the nose behind all Ormonde Jayne perfumes). Until the brand decided to become a luxury one, they were one of my absolute favorites: I love or at least like 7-8 of their perfumes. But I’m not sure I would be able to pry a vat of Iso E-Super from him, no matter how much I pay.

Jean-Claude Ellena. I just don’t know if he still has any Dia left in him. And everything else is a little too sheer for my current taste: I like wearing many of his perfumes as my day-wear perfumes but none of them would be on a short list for a proverbial signature scent (or bespoke perfume, while we’re on the topic).

Notes

But let’s say I settled on the Perfumer. How do I know what I want to get? Clearly, I should shoot for the most beautiful perfume I do not have in my collection already. So of course I can show the Perfumer my most recent exercise with the Desert Island Perfumes and provide a list of my 13 favorite notes: linden, amber, lavender, iris, black currant, rose, mimosa, lily of the valley, narcissus, galbanum, sandalwood, cedarwood and vetiver. But how do I know that actually these thirteen notes make me like perfume? As my analysis in that post showed, the highest count of those favorite notes (8 of 13) make up my favorite Chanel No 19 – but I already have Chanel No 19, and I don’t need another one. And how do I know that it is not the combination of the other 76 notes, which composed my Top 20, that do the trick?

My Favorite Notes

Process

Assuming the Perfumer got all the information both from the notes I think I like and based on the list of perfumes I know I like, after a while we’ll have the first take – and what? How many times have you tried perfumes that sounded amazing based on what you read about them only to be completely disappointed? It is not easy to write a negative review for perfumes created by the brand or perfumer with whom you have some type of relationship or even just like them without knowing them personally. Also, have you ever experienced personally or witnessed any perfumer’s reaction to somebody criticizing their work?

I’m not sure I would be able to say: “Scratch that, let’s start over.” Instead, most likely, there would be polite going back-and-forth with: “It seems a little too sweet…”, “What if we were to add more floral notes?” or “It reminds me X, which I already love and wear.” How many iterations would I go through before giving up and agreeing to something that is very nice but doesn’t come even close to how I feel about my most beloved perfumes? What if it is not even “very nice”?

Price

For my theoretical experiment I’m going with the assumption that I can pay any price. But what is the price? What the price should be?

ScentTrunk, which keeps searching for the business model for making money from the exploding perfume industry, offers a free test kit that “includes a palette of the 6 fragrance families so our lab can identify the smells you love or hate” (you pay $4.95 for S&H). After that you can get your personalized perfume for just $11.95/month. I think we can all agree that I will skip the discussion of what exactly one might expect to get for the money.

Ok, how about € 220 for 50 ml of all-natural perfume “by Perfumer Composer AbdusSalaam Attar”? You can choose up to 7 (out of 92) essences for your perfume. If you want something “rare,” you’ll need to pay more: extra € 100 for ambergris, € 150 for Mysore sandalwood, € 250 for iris root and € 300 for agarwood. But even if you go “all in,” the most you pay is € 1,020. And you can name it whatever you want! So choose 7 ingredients, mention the most important 3, tell your profession or field of work (“important for olfactory psychology”!), add comments, “give your skype for contact ecc…”, prove that you’re not a bot (because, you know, it’s a huge work to put all those 7 notes into the shopping cart; and if you make a mistake, the whole form refreshes – so you should really be into placing that order) – and … I’m not sure what happens next because I didn’t manage to convince the page I wasn’t a “spammer.” But anyway, how personal can you expect it to be for € 220?

$6,750 can buy you three consultations with the team of perfumers at Floris, which will result in 100 ml bottle of your bespoke perfume (plus 5 future refills).

Even though By Kilian’s site states “Price upon request” on their Bespoke Perfume by Kilian page, from my recent visit to Salon de Parfums in Harrods I can surmise that it won’t be less than £15,000 – because that is how much their “one-of-a-kind” Midnight in London that Tara and I tested there costs.

By Kilian Midnight In London

I heard different numbers for bespoke perfumes by Roja Dove but the closest one to the official price was £25,000, which was mentioned a year ago in the article-interview with Mr. Dove. If you ask me, his semi-bespoke perfumes rumored at £1,000 for 250 ml, is a better deal: you can try it and decide if you like it, if it is unique enough before you commit.

As I mentioned in the beginning of the post, you can find dozens of brands, perfumers and no-name services that offer customized/custom/bespoke perfumes on the wide range of prices. But, in my opinion, even the highest price I cited here is not enough to pay for real creativity and uniqueness. I just do not believe that any great and talented perfumer would create something really great just for me – one person.

Why would the Perfumer spend enough time and effort to earn even £25,000, if selling it to a brand or launching it under their name would get a much better return? The explanation I could come up with was that it might make sense only if the result is not expected to be anything too special. For example, if it is done for “civilians” – people who have previously used Perfume de Jour from department stores: almost any average-pleasant perfume made from good ingredients by somebody who knows the trade would be a definite step up. It also can work for people who do not love perfumes but want to wear them because it is a part of the accepted routine. In this case, exclusivity and personal service might be much more important than actual perfume. In both cases it shouldn’t require too much time or magic from a skillful Perfumer. And those “bespoke” perfumes do not even have to be that unique from one customer to another – they just have to be different enough from what one can come across at regular perfume counters.

I have it. Now what?

But even if I manage to get the result I really like, what would I do with it? Should this perfume become my signature scent? Probably not: I’m not a one perfume woman. Should I treat it as a special occasion perfume? But then what should I do with my other special occasion perfumes? I’m not sure I have enough special occasions. Do I wear it just like any other perfume in my collection, several times per year? But then why even go through the exercise of creating bespoke perfume?

So even in my imaginary world, in which I can choose any perfumer to work on my scent and am not limited by any financial considerations, going through with that project does not seem appealing.

And then one last thought had occurred to me: I bet I can wear many of the existing perfumes in my current collection, and, almost any way you look at it, those would be not much farther from a bespoke perfume then any created as such might be.

 

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Images: my own

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E-Word-of-Mouth and Le Jardin Retrouve Cuir de Russie

Three years ago in the Entertaining Statistics: On Tweeting I wrote:

I still do not see too much sense in tweeting but I still do it from time to time. I get some random news from there but mostly I use it as an announcement medium – for my new blog posts, other blogs’ giveaways and the like. The main reason I do it is the idea that I want those who actually read my posts to get a notification about them any way they prefer – by e-mail, through Facebook, Twitter, RSS, Bloglovin or Google+.

Nothing has changed since then other than me being even less active on Twitter. But one day recently I had a couple of extra minutes and as I leisurely browsed through the feed, I stumbled upon a tweet from Le Jardin Retrouve saying that during July they would have 15 ml travel flacons of all their perfumes (Yesss!!!). Available at their Paris boutique only (Arghhh…).

In this age of globalization, isn’t it annoying when some things you can get only at some special places? Luckily, a “personal shopper” Suzan of Shop France, Inc. who had previously helped me with my quest for a scent from my childhood, just sent a newsletter about her upcoming trip. So I asked her to get me in Paris perfume I wanted, if she could.

When she came back with my travel bottle, she wrote to me asking permission to give my name and e-mail to the brand owner she met at the boutique: he was curious how she knew about Le Jardin Retrouve, and, consequently, how I knew about the brand. I gave my permission and then told Michel Gutsatz, a current owner and a son of the perfumer and the original creator of the brand Yuri Gutsatz, a short version of the story I’m telling you.

Le Jardin Retrouve Samples

How often have you read somewhere a review for perfume from a completely new for you brand and not just remembered the name later when you saw it again but got actively interested and pursued it? It doesn’t usually happen to me. But something in Steve’s (The Scented Hound) review pushed the right buttons; and I ordered several samples.

Yes, I actually paid to try perfumes from a completely new for me brand: not much – they were having some promotion – but it wasn’t free, the brand didn’t reach out to me then. To my surprise, I liked all three perfumes that I tried. The only problem I had with Le Jardin Retrouve was that they had all of their perfumes in 120 ml refill format: I can barely talk myself into 50 ml of any perfume – what would I do with 120?! But when they came up with a reasonable perfumista size bottle I had to put my money where my mouth is.

If I had more time to think, I would have probably bought at least one more perfume from the three that I tested but on a short notice I went for the one I liked the most – Cuir de Russie.

Rusty and Le Jardin Retrouve Cuir de Russie

Until I read Steve’s review, got curious how Le Jardin Retrouve managed to get away with using the name, for which I assumed Chanel had a copyright, and started looking for the answer, I had no idea how many brands have or used to have perfumes with this same name! Evidently, one can get a copyright for the word “peace” but famous perfume(s) name is out there for whoever dares to use it.

According to Fragrantica, Guerlain (1872), Mury Paris (1920), Chanel (1924, 2007, 2016), L.T. Piver (1939), Creed (1953), Le Jardin Retrouve (1975, 2016), Mad et Len (2007), Anna Zworykina Perfumes (2009) and Art Deco Perfumes (2015) can claim Cuir de Russie as their perfume. And I don’t even count those that had perfume with the same name but in different language, for example, Russian Leather and Russkaya Kozha.

Both this perfume house and this perfume have history but I don’t want to repeat it: you can easily find it online. I just want to share my impressions.

Rusty and Two Cuir de Russie

Since my only reference point is Chanel’s take on this theme, I can’t help running a comparison. If you like Chanel’s Cuir de Russie, there is a good chance you’ll like Le Jardin Retrouve’s Cuir de Russie as well. I think these have a lot in common: they both are very refined leather perfumes with subtle and well-blended components. LJR’s one is greener and more floral, especially in the opening, but when you smell them side by side you have no doubts they both are telling a similar story. At the same time, these two perfumes are distinctive enough to own and wear them both.

Chanel & Le Jardin Retrouve Cuir de Russie

You can clearly trace a direct line from a blog post (through accessible samples) to a Twitter ad, then to a travel bottle and now to another blog post. Also I saw in today’s newsletter from Suzan the introduction of Le Jardin Retrouve and their perfumes to her clients. And if you “Like,” retweet or share this post, it’ll keep going further reaching more people. It will be a true e-word-of-mouth.

 

Disclaimer: I’m not affiliated with either the brand or the business mentioned in the post; I did not receive any free items or discounts not available to the public.
PSA1: Contact me for Suzan’s address if you’re in the U.S. and would like to order something from Paris or London: not only she brings stuff not available in the U.S. but also her prices for high-end brands are usually lower than you can get here.
PSA2: During August you can get 20% off any purchase (including samples) from the brand’s site: go to http://jardinretrouve-en.pagedemo.co/, choose the store for your country under “Need to Order Urgently?,” put the product(s) you want in the shopping cart and use the code JARDIN17. It’s a good time to try these perfumes because in Fall the brand is releasing their 15 ml bottles in custom sets of 3 perfumes of your choice. Rusty especially likes the bag, in which my travel bottle came.

Rusty and Le Jardin Retrouve Bag

 

Images: my own

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Almost Newcomb’s Paradox

Everybody knows that people in the Perfumeland* are wonderfully generous and kind – towards friends and oftentimes to other members of their group who they don’t know too well.

I got my first sample of Serge Lutens Chergui from Suzanne of Suzanne’s Perfume Journal (she had a perfect explanation why to wear Chergui in summer; unfortunately, after her passing the blog isn’t accessible any longer).

I liked this perfume though until recently for me it was a cold weather perfume. I finished Suzanne’s sample, then one more sample and was thinking of getting a decant, when Vanessa (Bonkers about Perfume) sent me her partial bottle of Chergui as an unofficial present for my birthday. I was happy to get it in a bottle: even though those take more space than decants, in the last years I noticed that I tend to favor actual bottles.

Several months later, while we were discussing samples exchange, Vanessa wrote to me that she would also send a box from Chergui that she recently found… As I read that e-mail in the office, I was anxious to get home: I clearly remembered that the partial bottle had come with a box…

I got home, confirmed that I wasn’t confused and even sent Vanessa a proof of having that box.

Rusty and Serge Lutens Chergui

Vanessa had no recollection of how she came to own that second box; and since she had no use for it she used it to send samples to me, making the answer to the post office clerk’s question “Are the bottles in their original boxes?” at least partially truthful: the box was original indeed.

Chergui is one of rare perfumes honey in which does not go urinous on my skin. As I started thinking about this post, I wore Chergui a couple of times, and I have to agree with Suzanne: it wears nicely in the hot weather. Too bad I cannot use a back-up box to even better protect perfume from that heat. I’ll have to rely upon a more conventional method – an A/C. I couldn’t even interest Rusty in checking it out: he clearly didn’t think it was that interesting the first time around when I tried to make a “proof of life” picture shown above.

Serge Lutens Chergui - Two Boxes

Speaking about back-ups… Are you getting any for your Serge Lutens favorites pre-repackaging/reformulation/moving to the Exclusives Collection?

Images: my own

* Of course, Perfumeland isn’t unique in that respect: people inside other groups with similar interests behave that way. But I’m writing about my current interests, so forgive me this … hmm… what would be the right antonym for “generalization” in this context?

** Here’s the link to the Wikipedia article about Newcomb’s paradox

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Visiting Three Monarchies, Part 4: Perfumes I bought

More than three years ago, while describing my indecisiveness when it comes to buying perfumes, I wrote:

I have that dream of going into a perfume shop while on a vacation or at a fragrance event and finding perfume, without which I wouldn’t want to leave that store.

It hasn’t happen to me since then. If anything, I became even less spontaneous, which isn’t surprising taking into the consideration my steadily expanding collection and exponentially increasing number of new releases. But the dream lived on. So going on the vacation to London, Barcelona and Stockholm, I decided not only to take with me and wear perfumes created by the brands from the respective countries but also to bring back perfumes from each of the destinations – with the same caveat of the brand’s origin.

As I’ve described in the posts about each part of my trip, in our era of globalization it wasn’t easy to find perfumes that would fit the set criteria, even though I tried to cheat a little by bringing with me samples of perfumes that I’ve previously tried and… let’s put it this way – didn’t dislike.

After all the sniffing Tara, Vanessa and I and then Vanessa and I did in London, on the last evening in the city I was still hesitant. I might have ended up not buying anything at all if it weren’t for the serendipitous circumstances.

One of the most pleasant memories from our previous visit to London was a restaurant on the corner of the same street where we happened to stay then in a tiny hot room under the roof. For the whole week in London this time we kept planning to go there but something else would come up. So finally I reserved a table there for the last evening.

When you spend the day walking the city, it’s hard to plan perfectly. We arrived to the restaurant almost an hour earlier but since we weren’t hungry yet, instead of checking with them if they could seat us immediately, we decided just to walk around and see the area where we spent time seven years ago.

We went by the B&B where we stayed – it looked the same. We checked out a bakery that seemed very appealing back then – probably not the fairest comparison with it being after 5 P.M., but the selection of baked goods didn’t impress. We walked by the private park for the residents of one of the buildings – it was still very charming and inaccessible. Then we came across the second location of Les Senteurs. Since Vanessa and I went through everything at the other location the day before, I just sprayed again Tom Daxon’s Magnolia Heights to give it one last wear before going for a bottle. And then I saw it…

Jo Loves London Boutique

Of course, later I remembered Vanessa’s suggestions to the fellow-shoppers in Ormonde Jayne store to visit this area for Les Senteurs and Jo Loves boutiques. But it completely went by me at the time. Since I still kept my grudges against this brand for offering to send me scented blotters in response to my inquiry to purchase samples when the line had been launched (six years later I think I can safely reveal the brand, about which I wrote that post), I didn’t even think of visiting that store. But there we were – so I just couldn’t pass it by.

It wasn’t the first time I smelled Jo Loves’ perfumes: a year after the launch they had some limited promotion where you could request 2 samples. My friend and I each requested two – so we got to try four perfumes. “Nice but nothing special” was a verdict for three of them, and I liked but didn’t love the forth one (Gardenia). Several months ago I got hajusuuri’s “traveling samples set” – so I was able to try 7 more of their scents and really liked one of them.

Even though I came partially prepared, it took me some time to make a decision. In the end I decided to go with perfume that I liked from the hajusuuri’s set – No. 42 The Flower Shop.

Rusty and Jo Loves The Flower Shop

Most of you who have been around for a while saw on my blog many beautiful bouquets (usually in Rusty’s company). Those we created in one of the local florist shops, which both I and my vSO like. He usually goes there on his own (to order flowers for me, not trusting online ordering) but from time to time we visit it together – not to buy anything but just to check what they’re offering. There is a cold room in the shop – a walk-in floral refrigerator for pre-made floral arrangements and buckets of different flowers. No. 42 The Flower Shop smells exactly like that room: greenery with mixed floral bouquet, light and pleasant (Notes from Fragrantica: green leaves, mandarin orange, peony, lily of the valley, freesia, jasmine, narcissus, iris, white musk, moss and patchouli). I plan to put the bottle in the fridge and use on hot summer days. The name of this perfume was inspired by the flower shop, in which Ms. Malone worked as a girl. Many years later she opened her boutique on the same street where that flower shop used to be.

Jo Loves No. 42 The Flower Shop

There was a close second contender – Mango Thai Lime. But since I’ve never tried it before on skin, the store was closing, and we were getting late for dinner, I decided to go for the safer choice, but tried to get a sample of this one – to test later and see if I would want to get a bottle. Would you care to guess what I was offered?

Rusty and Jo Loves The Flower Shop

And if you were curious, dinner at the restaurant, which happened to be just one short block away from the Jo Loves shop, was just alright: the food was edible but much simpler than 7 years ago (and as I happen to still have a menu from that first time, I was able to confirm that my memory wasn’t playing tricks on me). But those memories brought me back to that street, that boutique and to that perfume. And the picture below is what I saw first today when I went to the Jo Loves site to look-up something for this post. A magical coincidence indeed.

Jo Loves 42 The Flower Shop

The story of the next perfume will be not as poetic and a little shorter.

In Barcelona, predictably, I didn’t have any “prospects” until the last day. When I got to La Basilica Galeria (the one with 1,000+ perfume), I told myself that if anywhere, I should be able to find there something to fit the criteria I imposed on this perfume hunt. Luckily for me, local perfumes were thoughtfully marked as such, so while methodically sniffing through all the shelves, I paid additional attention to those with “Made in Spain” labels.

Rusty and Ramon Molvizar Sun Sol

No, I didn’t bring back with me a toy for Rusty instead of perfume though I came close to that. Perfumes that I liked the most were in the case before the last. Before that day I have never heard of this brand – Ramon Molvizar, though the first fragrance in the Fragrantica’s database is dated as 1999. Probably, it was for the best because had I read the brand’s claims of “exquisite luxury” and “taking the perfumer’s art to its extreme where it becomes a masterpiece,” I would have felt much more skeptical. But since I was blissfully ignorant, I approached these perfumes practically with an open mind: I almost didn’t hold against them those strange shiny fragments inside the bottles.

Ramon Molvizar Sol Sun

After trying several of Molvizar’s perfumes on paper, I pared down my choices to two. Those went on my wrists, and we went to sleep eat on it. I tried to be discreet in the café, but since I spent equal time sniffing and chewing, I suspect I didn’t fully succeed. But I made up my mind.

Rusty and Ramon Molvizar Sol Sun

Sol Sun on my skin opens with a cheerful citrus – perfect for that summer day in Barcelona. In the development I recognize lotus (not as a real flower but as a note I know from other perfumes) and some hints of wood. Those of you who have better nose would probably be able to recognize other notes from the list: lemon, ginger, bergamot, rose, orchid, jasmine, musk, wood and sugar cane. It is not one of those perfumes that everybody needs to experience: there’s nothing groundbreaking, unique or even quirky about Sol Sun. But I like this bright and sweet floral perfume with warm amber-y drydown – despite of the slightly tacky, in my opinion, 23-karat gold flakes (c’mon, for $8 you can get Beverly Hills Gold with 24 (!) kt gold flakes). And, as an additional bonus, Sol Sun comes in a beautiful wooden box, also made in Spain (which impressed my vSO in our made-in-China century). That packaging will allow me to keep this perfume on my dresser, which is valuable given the aforementioned collection proliferation. Nothing else would fit into it though besides the bottle – Rusty has checked.

Rusty and Ramon Molvizar Sol Sun

As to the last leg of the trip: I drew a blank. By that time I tried and liked so many great perfumes that it didn’t feel right to buy anything less interesting than those perfumes from the “Perfumes I didn’t buy” sections of my travel posts only because it was local. But when I finish my La Tulipe decant, I’ll buy a bottle in memory of how wonderful this perfume was on a cold summer day in Stockholm.

 

Images: all but the one from the Jo Loves site, my own

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Visiting Three Monarchies, Part 3: Stockholm

“Vacation” is usually not the first association when you hear “Stockholm.” On our itinerary this city got by chance: we live so far away from Europe, that there is a limited number of direct flights between us and the Old World. Barcelona did not have any, so to get back home we’d have to do a plane change. If you were to add an extra flight and a couple of hours for transfer, the trip would easily stretch for 17+ hours – something that I try to avoid whenever possible. So while planning the vacation, we decided we’d do a couple of days’ stopover in one of the direct-flights-reach cities. Stockholm was the one with the best combination of schedules and fares. The fact that all three destinations were monarchies had dawned on us much later – at Livrustkammaren (The Royal Armory in Stockholm) as we were discussing that not a single Royalty has acknowledged our presence in any of the visited countries…

Accommodations

For a change, for that last part of the trip we went for a hotel room. It was a pleasant hotel decorated in the style of Roaring Twenties. Our room was quiet, had heavy curtains and a very comfortable bed, in which we finally had a good night sleep (the first night we slept for 12 hours straight).

Haymarket Hotel Stockholm

It was rather cold (+14C after +26C in Barcelona) and raining; we discovered that Stockholm was a very practical and minimalistic city, even its old town part; but somehow it felt very comforting and friendly. The first evening as we walking in the rain enjoying clean and orderly streets, we came across a small park inside the Art Nouveau building of Stockholm’s Central Pool (Centralbadet) built in the beginning of the previous century. It was an absolutely magical experience: beautiful lilacs and other blossoms in the drizzle of evening rain. I felt happy.

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Three days that we spent there was a delightful coda to our vacation.

Perfumes I took with me

Following the idea of bringing to this vacation only perfumes local to the destination, I packed a couple of decants and a sample from the only Swedish brand I had in my collection – Byredo. La Tulipe was just amazing, and I might re-consider wearing it only as a summer perfume: it was wonderful in the colder weather. Pulp was predictably good. I hope these both perfumes are still available once I finish the decants I have. Bal D’Afrique, which I brought with me for further testing, was nice but not enough for me to go for a bottle.

Perfumes I tested

After my London and Barcelona perfume escapades, I didn’t plan to do much more perfume testing but I still managed to visit a couple of perfume spots – a perfume department in the luxury department store NK and a standalone perfumery Insanto.

Both places had interesting selection of perfumes but not too many of the brands not available elsewhere, and I concentrated my testing mostly on those brands, to which I do not have an easy access.

Insanto Stockholm

Perfumes I didn’t buy

Perfume prices in Sweden do not impel spontaneous perfume purchases. Also, there weren’t that many Swedish brands – so most of the tested perfumes did not fit the original intent to get “souvenirs” from the countries I visited. But several perfumes that I liked while testing on skin are worth mentioning: were they “Made in Sweden,” I would have considered buying one of these.

I love and own two perfumes by Keiko Mecheri but because this brand is not available where I live I’m not too familiar with their line. That’s why I was interested to try at least some of the perfumes – even though I didn’t think I’d buy them there. I thought that Bois Satin smelled very nice, and I hope to be able to test it again soon.

For a long time I stayed away from Xerjoff: even though I tested occasionally some of their perfumes that came my way one way or the other, I didn’t make any conscious attempts to follow their new releases, and of those perfumes that I tried before I didn’t warm up enough to any to go even for a decant. They clearly like Xerjoff in Sweden: I saw it in both stores where I tested perfumes (and I want to remind you that one of them was a department store). So I gave up and tested some of the perfumes. I liked several on paper and then one on my skin. I don’t know why I happen to like the one that is sold out almost everywhere – XJ 1861 Naxos. Now I’ll have to locate a sample to test it again before I start scavenging eBay and FB groups for a bottle.

I’ve never heard of either the “famous Costes Hotel in Paris” (Fragrantica) or the eponymous perfume that Olivia Giacobetti created for that hotel in 2004, but when I tested Costes for the first time, I liked it. I’m not completely sure yet how I feel about perfumes that perfume shops create under their own brands – let alone perfumes for hotels, so I will try Costes again if I come across it somewhere but I won’t probably be actively looking for it.

Stockholm Blotters

Speaking of hotel perfumes, the only perfume I was seriously considering on this part of the trip was perfume sold in the hotel’s gift shop: No 1 Haymarket Eau de Parfum. The scent is described as: “Velvetly vanilla, powdery ambergris, and smoky sandalwood united with modern and surprising tones of bergamot, citrus and a hint of pepper.” For a couple of days I would be stopping by the gift shop to apply this perfume and then would keep smelling my wrist… for the next couple of hours while perfume was still discernible. I thought it was nice. It was local. And it wasn’t even expensive (less than $30 for a 30 ml bottle). Why didn’t I buy it? I realized that with all the great perfumes that I already had in my collection (and several more that I might be considering after more tests), I would just never have time for this pleasant but nondescript little number – no matter how warm I felt about that hotel that sheltered us in the final part of our turbulent vacation.

Haymarket Hotel EdP No1

Just in case you got drowned in the endless parts of my trip: it was the last one, and in the next post Rusty and I will finally reveal what perfumes I brought back with me.

 

Images: all but the last one – my own; No 1 Haymarket EdP – from the hotel site.

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Visiting Three Monarchies, Part 2: Barcelona

“Oh, Barcelona…” or “Barcelona? Why?..” – those were the two most common responses I was getting from people with whom I spoke about our upcoming vacation’s destinations (nobody questioned London though).

I cannot explain why we had chosen Barcelona. I guess, we’d heard it was a beautiful city and thought of visiting it one day. Looking from here, Barcelona seemed really close to London – so we decided it was a good combination.

Since on that trip I didn’t have any fellow-perfumistas to rely upon their account of events, this part shapes to be a longer post.

Gaudi Casa Battlo

Accommodations

I’ve spent disproportional amount of time trying to find a nice place to stay: though it was a couple of months in advance, there were almost no vacancies in the suggested areas; and owners of those several acceptable apartments that I found were not responding in a timely manner (I have to mention that with the London flat everything worked like a clockwork – through the same sites). Finally, I rented something that seemed like a good choice.

We had a late flight in, so to the arranged place of meeting with the owner we got closer to midnight. We got from him keys and instructions to our taxi driver as to where to take us; and that was when we learned that we’d need to walk to the apartment since it was on a pedestrian street.

The taxi dropped us off next to some church in the old town. Night, small groups of people walking around or finishing their drinks is empty street cafés. Narrow dirty streets with graffiti-covered shutter doors. Google Maps app sending us into a different direction every 10 steps we attempt to take. Two of us with two suitcases trying to figure out how to find the address we need…

I don’t know how it is in areas where you, my readers, leave but in both countries, in which I have experience living, a neighborhood that looks like that would not be considered safe by any stretch . So we didn’t feel safe at all.

I think we looked so miserable that a group of young tourists passing by took a pity on us and helped us to locate the building we were looking for.

Once in the apartment that looked exactly as described in the ad and depicted in photos but still felt uninviting and soulless (IKEA at its best and worst): a loud portable A/C on, quick shower, A/C off and out to bed around 1:00 in the morning. A couple of hours of dripping A/C, humming in-unit water heated replenishing hot water and occasional excited tourists walking by… Between 6 and 7 in the morning unmercifully loud metal shutters of the local shops going up just under our windows and across the street…

Around 8, when we gave up the attempts to get any more sleep, my vSO announced: “I want to go home.”

After a quick search confirmed that there were no vacant hotel rooms guaranteed to be quieter (and I didn’t even check how expensive it would be to come home a week earlier), we decided to give it a chance…

That was the lowest point in our trip, and from there it went kind of up: we were still sleep-deprived because of the combination of all the above-mentioned factors, plus remains of jet lag, plus a heavily walking neighbor above us, but we were impressed with this city’s architecture (and I’m not talking just about Gaudi), figured out that the area where we lived (El Born) was quite safe, and found things around to enjoy. On the picture below is the nicer end of the street where we lived (it was closed by the gates during the night and on weekends).

Barcelona Street

Perfumes I took with me

I discovered that I didn’t have that many Spanish perfumes in my collection that I wanted to wear or to test on this trip. Carner Barcelona El Born, which I brought also thinking about the possible bottle purchase, smelled better than the namesake area where we stayed, but I’ll need some time to disassociate these two to start enjoying this perfume again. Ramon Monegal Impossible Iris was just perfect, and I enjoyed wearing it but I already have a bottle of it. I’m not sure why I didn’t bring any other samples of Monegal’s perfumes that I have: I’m sure I could have worn Cuirelle or Pure Mariposa but somehow I didn’t think of them. But I compensated not bringing enough perfumes to wear with testing.

Perfumes I tested

Before I came to Barcelona, I didn’t realize how many good perfume shops that city had. I visited three exceptional niche perfumeries, and each of them was worth the time spent. Even if one comes from such place as London!

Perfumeria Regia

Situated in the extremely touristy place (a minute walk from Gaudi’s the Casa Batlló, it feels more like a perfume department in a luxury department store than a true niche place: though it carries a lot of niche lines, SAs are not too personable, and the space looks impassive. But I managed to test many perfumes, including the line I hadn’t had a chance to test before – Memo. I liked at least several “leathers” and plan to buy some samples to get to know those better. One more line, about which I haven’t heard before – Rosendo Mateu Olfactive Expressions. I liked a couple of their perfumes on paper – No 2 Lavender Spicy Chocolate (Fragrantica chose to put commas between all three ingredients in the name, and I wonder what they thought “spicy” meant in this enumeration) and No 3 Neroli Iris White Musk, but didn’t get a chance to try them on skin.

Perfumeria Regina is also a home for the Perfume Museum. There’s not much to tell about it but a lot to show – so I’ll do a separate post to share pictures I took there.

Regia Barcelona

The Perfumery

This small shop in the Gothic area of Barcelona was probably one of the most surprising perfume shops I’ve ever visited: by rough estimate, I didn’t recognize 80% of everything they had to offer. From what I could surmise, they do not present the complete line from the brands they carry but rather handpicked fragrances. All of them are offered to smell from the funnel-shaped glass testers, which was more convenient that sniffing the sprayers. Either my perfume tastes did not coincide with tastes of their collection curator, or I’m just not prepared to discover a diamond in the rough with that number of potential diamonds but while I liked many of perfumes I smelled, especially their masculine part of the collection, I didn’t love any of them enough to put on skin. Two that I tried on my vSOs wrists I liked but not enough to even write down the brands or names properly.

Barcelona The Perfumery

La Basilica Galeria

The gallery claims to have the biggest selection of niche perfumes in the World. I don’t know if anybody questioned that statement but for all I know it might be true, especially if we talk about stand-alone perfume shops.

Once we came there, I dispatched my vSO to the relatively comfortable armchairs where he could wait for me and started methodically sniffing through the collection presented via sprayed crystal bell-formed testers, marked on top red, navy or half-and-half for feminine, masculine and unisex fragrances.

Barcelona Galeria Test Bells

After I’d been through a couple of cases, a very friendly SA asked me if she could help me to find what I was looking for. Hopefully, in the same friendly manner I informed her that I was just going to sniff my way through the collection (I didn’t feel bad because I wasn’t even spraying any of the perfumes, all bells were already pre-sprayed). “Are you going to go through all thousand and <I don’t remember the exact number> perfumes?” – I won’t try to describe the tone, with which she asked that, but you could probably imagine it. I was completely unflappable: “I’ll skip those, with which I’m familiar” – and I returned to my exercise.

I think that La Basilica Galeria has a nice selection of niche perfumes with a good mix of more and less popular brands. But the way they present perfumes isn’t suitable for finding perfumes on your own. As I discovered when I tried to spray one of the perfumes in its bell to refresh the scent and get top notes more prominently, I wasn’t supposed to do that: they spray those perfumes on some schedule, writing it down and checking for how long those lived on the glass. The SA proudly told me that some of the perfumes were sprayed once a week… While I agree that perfume should not be judged only by its top notes – the way that mass market perfume industry would like us to do, 2-3 days old leftovers on glass surface definitely isn’t what any perfume should be judged by either. At that point I realized why most perfumes I tried by then weren’t “my cup”: my favorite floral top notes just do not live that long. After I asked, I was given some paper strips to test those perfumes that I wanted to try fresh but I could test only those, base notes of which survived nicely and were to my liking – which probably also wasn’t the worst criteria for choosing what to test on paper or skin.

Barcelona La Baselica Galeria2

Perfumes I didn’t buy

Though between the three major perfume shops I visited, I sniffed my way through about 650-700 fragrances, there were just several that interested me enough to consider for a catch from my trip to Spain.

I considered buying Gaudi de Codibel perfume for the whole 15 seconds that it took from me spotting it in the gift shop of the Casa Batlló to locate a test strip, spray and smell it. Had at least the bottle been a little more imaginative or better quality, I could have bought it just as a souvenir since we both quite enjoyed this museum. But both the scent and the packaging were beyond the exploitation of the famous name.

Gaudi Perfume

S-Perfume 1499 smelled very pleasant (jasmine sambac, myrrh, labdanum, olibanum, vanilla and amber – what’s not to like, right?) but everything else worked against this perfume: brand being either American (created) or Japanese (located now); the name is as non-descriptive as they come when the brand that isn’t Chanel decides to use numbers; and finally the bottle design just doesn’t suggest the price point, at which they position themselves.

I liked Paul Emilien Premiere Danse but since it’s a French brand, with which I wasn’t familiar before, I decided I’d look for a sample and test it more.

A Bulldog in the Atelier from a Spanish designer Teresa Helbig seemed like a good fit for the purpose of my search. Why didn’t I go for it? I got distracted by the Memo line, perfumes from which I didn’t plan to buy in Barcelona, and didn’t get a chance to test it properly. So with me not being a fan of that breed, it felt like I needed more time with this fragrance before exposing Rusty to it (though I liked the name).

Both my vSO and I liked Ramon Monegal Next to Me but I got confused with the name: judging by the list of notes and packaging, this one isn’t the same as Dubai Next to Me but, other than on Fragrantica, I cannot find any information about this one… And I’m not a huge Monegal fan (Impossible Iris is the only perfume from the brand that I like and wear).

The last two perfumes seriously tempted me despite the wrong country of origin and stupid names: 1831 and 1926. For those of us who is not versed in music history: I’m talking about 1831 Norma and 1926 Turandot by Histoires de Parfums. I tried and was completely enchanted by these two in the parfum extrait version. They both smell to me like classic perfumes. My vSO and I had different preferences for these two (I liked Norma a little more), it is a French brand, and they were more expensive than I felt comfortable spending on the spur-of-the-moment bottle. But only a coupon code, which I hope to get in e-mail soon, stands between me and the Order button on one of the decanter sites for these samples.

HdP 1831 Norma

Barcelona leg of our trip was … trying. On the first morning we were ready to cut the losses and try to find our way back home. On the sixths morning, as we were leaving, we didn’t feel sad. But in between we had some positive experiences, and we both agreed that this city was worth re-visiting one day – provided we can find some more modern and soundproofed lodging. Until then I have perfume to remind me about the good, the bad and the ugly of this vacation. Which one? I’ll tell you soon.

 

Images: my own

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Visiting Three Monarchies, Part 1: London

London is one of my top three favorite cities in the World, so I dreamed of going back there since my last visit 7 years ago. And since from this city my travel down the niche perfume rabbit hole has started, perfumes played a big part in this vacation.

Tara (A Bottled Rose) with whom I finally met and Vanessa (Bonkers about Perfume) who managed to get to London to spend time with us described our excursions in great details (see here, here and here), so I won’t repeat their wonderful reports but add to them some of my perfumed stories.

Accommodations

After the last visit’s fiasco with a “studio apartment” that turned out to be a tiny hot mansard shoe-box, I paid an extra attention to choosing a place to stay. We got a very nice and quiet flat, 2-minutes’ walk from the underground station and 4-minutes’ walk to the Hyde Park. On arrival we’d got a little scare from the nearby church clock’s Westminster Quarters chiming. But, as we discovered to my vSO’s relief, they would go silent during night. So we got as much sleep as jet lag would allow.

Flat in London

Perfumes I took with me

How does one choose, which perfumes to bring on a vacation? Any criteria are good – as long as they make sense to the wearer. This time I had an idea that I should bring only perfumes from the brands local for the countries on my itinerary. Also, since I ran out of decanting supplies, my choice was limited by perfumes, for which I had decants, travel bottles or at least samples. For the U.K., I brought English Pear & Freesia and White Lilac & Rhubarb from Jo Malone and Ta’if, Ormonde Woman, Vanille d’Iris and Sampaquita from Ormonde Jayne. I enjoyed wearing the first three (especially Ta’if, my love to which was born 7 years ago in London); Ormonde Woman unexpectedly didn’t work for me (though it might have been a side-effect of the sudden allergy attack I suffered that day); Vanille d’Iris was very pleasant but not enough to warrant a bottle purchase (determining that was the reason for bringing the sample with me); and Sampaquita was a straight-forward scrubber (initially I thought that the sample was off but on return I checked my notes and discovered that I had the same thoughts when I tested it on the previous occasion – and that time it was a different sample vial).

Perfumes I tested

Having visited Liberty, Harrods (including Salon de Parfums), Selfridges, Les Senteurs and Ormonde Jayne, I smelled at least a couple of hundred fragrances. Of course, for most of them it was a quick “sprayer sniff”: I know that it is far from ideal but while on a testing spree, you need some approach to discriminating between perfumes that warrant a paper test or even your valuable skin “real estate” and those that should stay safely in their original vessels. So I want to mention just several perfumes that attracted my attention enough to get at least on signed blotters.

Salon de Parfums in Harrods

Out of all Ormonde Jayne perfumes I tested this time, I thought I liked Ambre Royal and Jardin d’Ombre but both happened to be more interesting and lasing on paper than on my skin. Tauer’s Amber Flash, which is times less expensive (and less exclusive!) than Ambre Royal, was so much more pleasant and unique that I almost feel obligated to buy a bottle of it. White Gold caught my attention, mostly, because it was Selfridges’ exclusive. But I wasn’t even tempted to try it on skin.

As I discovered when I returned home, I have previously tried Caron Parfum Sacré and didn’t like it then. But when I tested it this time, prompted by Vanessa who loves it, I liked it. I should probably dig out my sample and try it again.

I also tried a couple of Parfums de Marly fragrances, the names of which I kept reading in male-dominant perfume swap group on FB – Layton and Pegasus. I liked them very much, and I see this brand in my vSO’s future.

Perfumes tested in London

Perfumes I didn’t buy

Strictly speaking, I haven’t bought all those 200+ perfumes that I tested. What I mean is that since I had a plan to bring back with me perfume from each of my trip’s destinations, while sniffing and testing, I narrowed down the list of the favorites that I considered as candidates to accompany me back to the U.S. In the end I decided not to buy them – for different reasons.

By Killian’s Black Phantom – Memento Mori caught me by surprise: I didn’t expect to like it as much as I did. Lucas in his review of this perfume mentioned that he disliked “the presentation with a skull on a lacquered case.” That made me thinking about why it didn’t affect me the same way; and if I were to venture a guess, the answer lies in where I encountered Black Phantom for the first time: it looked quite àpropos amid exaggerated luxury of the Harrod’s Salon de Parfum. And it was presented by Kilian’s replica (if you haven’t yet, take a look at the picture in Tara’s post linked above). Though I liked Black Phantom, I decided to test it more first since it is kind of available where I live. Besides, By Kilian isn’t the U.K. brand.

By Kilian Black Phantom

Partially for the same reason (not a local brand) I decided not to buy Isabey Fleur Nocturne. But I liked that floral chypre (with the stress on “floral”), and I plan to spend more time testing it since I got a sample from Les Senteurs.

By Kilian’s Midnight in London, which I liked a lot from the first sniff on paper and through its development on my wrist, could have probably fit the bill despite the brand’s origin: it is a limited edition perfume, specific to the place. But Midnight in London takes the notion of “limited” to the extreme: according to Kilian’s double, there is just a single set of that perfume created (see the picture below), and once it is sold, there will be no more produced. In the conversation I heard the price as £50,000. Later Tara assuaged me that the price was mere £15,000 – had I but known!

By Kilian Midnight In London

Compared to that, Roja Dove’s semi-bespoke chypre No 5, which I unexpectedly liked after dismissing most of the brand’s creations as “not me,” seems almost a bargain. And it is a real British brand. But even if I had rumored £1,000 to spend on perfume, that commitment would have required more than just a cursory sniff. Since I didn’t plan on spending that much, I didn’t even go for a skin test for this No 5 (about which I slightly regret now).

Ormonde Jayne Rose Gold would have been a perfect choice: perfume from the brand that played such an important role in my perfume life! I think I tried to persuade myself that I liked Rose Gold. But the truth was: while I liked it probably the most of all the new perfumes from the line that I’ve tried, after wearing it a couple of times, I realized that it wasn’t perfume I needed. It’s with sadness that I have to conclude that Ormonde Jayne’s  new “luxury” undertakings leave me cold.

Ormonde Jayne Rose Gold

Tom Daxon Magnolia Heights stayed on my list for the longest time. I knew nothing about the brand until Vanessa and I discovered it at Les Senteurs with the perfume in question, as Vanessa had noticed and commented, placed appropriately on the top shelf in the store. I liked it, tested several times and seriously considered finding space for it in my suitcase: I have a soft spot for floral perfumes, if you haven’t noticed it; Tom Daxton is a brand from the U.K; and to get it I wouldn’t have to part with any of my extremities. Magnolia Heights seemed to tick all the boxes but in the end I decided not to buy it. Why? It might sound strange but that was what happened: at some point I thought that it smelled similar to my other favorite – Guerlain Cruel Gardenia, so I went to the store to do the comparison. While I proved to myself that I was wrong: Magnolia Heights gave me a similar vibe but it smelled different, at the same time I realized that I liked Cruel Gardenia so much more that it didn’t make any sense to buy Magnolia Heights when I could just wear Cruel Gardenia more often.

Tom Daxon Magnolia Heights

It was a great trip, and I enjoyed it immensely. Tara and Vanessa made it even more special than it was shaping out on its own. My vSO and I love London even more now, and we’ll be back there, hopefully soon. Oh, and if you were wondering, I did buy perfume in London. But it won’t be fair to it to introduce it in the end of the long post – so I’ll do it in a separate post after I finish with the other two stops on my trip.

 

Images: my own

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Entertaining Statistics: Desert Island Perfumes

From time to time one of my blogger friends covers a topic that prompts more than just a comment, however lengthy one might be tolerated (or even appreciated).

Making lists of desert island scents is a well-known and loved pastime of many perfumistas, so that alone could send me packing boxes writing my own list. But the methodical way Vanessa (Bonkers about Perfume) approached the project could not have left me indifferent.

Vanessa, a market researcher by trade, considered multiple approaches to coming up with her list. She described those approaches (I’ll be referring to those, so if you haven’t yet, you should read her post to learn the details about each); but then she discarded some of them because of the complexity or data unavailability. Since all of my perfumes and perfume usage are documented in the homegrown database, I thought that I could pull off calculating some of the aspects that she abandoned.

I started with “the burning building speed grab method” (or as I call it – “Grab ‘n’ Run”) and came up with 20 perfumes I would be happy to have on that island if I had to evacuate without much time for packing.

* * *

Then I moved to the “systematic review of ALL perfumes owned” but decided to limit it only by those perfumes, which I own as a full or travel bottle or a large decant. I went through the list choosing carefully, which perfumes to include into the final list. As it always happens to me with these lists, I take it very seriously – as if I will have to actually live with those decisions. It wasn’t easy: I like, wear and want to keep wearing many more than 20 perfumes I chose for my list. But if I really had to choose… So I did – and I’m sticking by that Brute-force Search List (a.k.a. “Don’t Ever Want to Be Without”) and using it as a base for all further comparisons.

First I compared two lists – the Grab ‘n’ Run and Brute-force Search Lists. Surprisingly, even after careful consideration my final list still has 18 perfumes from my spontaneous list. The two substitutions were a close call with the initially selected Jo Malone Mimosa & Cardamom and Guerlain Chamade (parfum).

* * *

Then I remembered that about five years ago I participated in a similar exercise on Birgit’s blog (Olfactoria’s Travels) and did one of my Entertaining Stats posts based on the results. So I was curious to see how my list of 10 desert island perfumes from that time fared against my recent list. Seven (7 of 10) from the 2012 Desert Island List are still on my current list, and I still enjoy wearing Annick Goutal Heure Exquise, Antonia’s Flowers Tiempe Passate and DSH Perfumes Vert pour Madame, even though they got voted off the island, so to speak.

* * *

My variation on Vanessa’s “travel bag ‘nuclear precedent’ method” was a Top 20/12 List: perfumes that I wore the most often in the last 365 days. Sixteen (16) perfumes from my Brute-force Search List were among perfumes I wore the most during the last 12 months. But I kept thinking: how about the last 6+ years that I write this blog? Since I didn’t own all of the perfumes featured on my current list 6 years ago, and they joined my collection at different time, it wouldn’t be either accurate or fair to do a straight-forward aggregation of the times I wore each of them. So I calculated a relative popularity: total number of occasions during the last 6 years when I wore each perfume from my list divided by the number of days from when I wore it for the first time until today. That’s how I got the Top 20 ‘All-Time’ Faves List. It includes 10 out of 20 perfumes from the etalon list.

The table below shows my Brute-force Search/Don’t Ever Want to be Without List (sorted alphabetically by brand) and how other lists compare to it.

Brute-force Search (A-Z)
 Grab ‘n Run 2012 Desert Island Top 20/12 Top 20 ‘All-Time’ Faves
Amouage Lyric + +
Amouage Ubar + + + +
By Kilian Amber Oud + + +
Chanel №19 EDT + + + +
Dior Miss Dior +
Estee Lauder Bronze Goddess + +
Frederic Malle Portrait of a Lady + + +
Giorgio Armani La Femme Bleue + + +
Guerlain Cruel Gardénia + + +
Jo Malone French Lime Blossom +
Jo Malone Sweet Milk + +
Krigler Lieber Gustav 14 + + +
Lancome Climat + + + +
Les Parfums de Rosine Rose d’Amour + + +
Mona di Orio Vanille Les Nombres d’Or + +
Ormonde Jayne Ta’if + + + +
Puredistance Antonia + + +
Tom Ford Fleur de Chine + + +
Tommi Sooni Eau de Tommi Sooni II
Yosh Ginger Ciao + +
Brute-force Search Grab ‘n Run 2012 Desert Island Top 20/12 Top 20 ‘All-Time’ Faves

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Same as Vanessa, I didn’t even think that I needed to try and represent each of the main fragrance families in my least (I loved her joke on the topic!), but I inspected my existing list with “the fragrance family method” and discovered that the most common type was Oriental Floral (9), followed by Floral Green (3), Floral (2), Oriental Woody (2) and one of each – Floral Fruity, Oriental Vanilla, Chypre Floral and Woody Aromatic. Clearly, I like my florals.

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“The scents for all seasons method” also inspired me to look at my list: 7 of 20 I can wear all year long; others came in different combinations of the seasons when I usually wear those perfumes, so it all boils down to 10 perfumes for the Winter rotation, 15 for Spring, 15 for Summer and 13 for Autumn.

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Since I have special categories for my perfumes, I ran “the scents for all occasions method” test on my Brute-force Search List and confirmed that the two main categories – Office Wear and Special Occasion – were well covered: of the 20 I can wear 14 to the office and 12 to any dress-up party. I even have 2 in that list that I consider my Tropical Vacation perfumes.

Estee Lauder Bronze Goddess and Shoes

I don’t think “the covering all my favourite notes method” would work as a selection method (and I’m not talking about choosing an unknown scent based on the pyramid) since having a note in the list doesn’t necessarily mean that I could smell that note in that perfume. But it was interesting to see if my favorite notes were well represented in the list. So I came up with what I think is a list of the notes, to which I’m partial in perfumes, and then checked it against perfumes on my Brute-force Search List.

Favorite notes: linden, amber, lavender, iris, black currant, rose, mimosa, lily of the valley, narcissus, galbanum, sandalwood, cedarwood, vetiver.

Almost all (19) perfumes on the list had at least one of the notes mentioned, which isn’t a complete surprise since rose and sandalwood are very ubiquitous notes (I count each of these in 12 perfumes). Amber and vetiver were spotted in 8 perfumes, iris – in 5, galbanum – in 4, cedar, LOTV & Narcissus – in 3 each, and the remaining 4 notes were covered by 1 perfume. If to judge strictly by notes, Chanel No. 19 is the closest to my ideal: it has 8 of the 13 notes I deemed favorite. Lancôme Climat takes the second place with 6 notes. And the third one for 5 notes goes to Les Parfums de Rosine Rose d’Amour. And if you are curious as to which one perfume from my list didn’t have a single of my favorite notes – it’s Jo Malone Sweet Milk – go figure!

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Even though I could relatively easy check “the ‘inclusive’ perfume house / perfumer approach,” I decided against it: it makes absolutely no sense to represent some abstract “known,” “famous,” or “established” perfume house in one’s personal preferences list; but to arrive at my personal list of favorite brands or perfumers I would have to use a list… of my favorite perfumes, which would just create a circular reference.

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Whenever somebody on my Reading List rates perfume or even just expresses liking/disliking it, I pay attention. But I mostly do it just to figure out whose tastes are closer to mine to rely upon their future opinions to navigate the plenitude of future releases. So while I did look up ratings on Victoria’s (Bois de Jasmin) site, I did it only because it was one of Vanessa’s methods. I got 3 ***, 5 **** and 4 *****. No ratings for 8 of my favorites. And I don’t really care either way.

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I think I wouldn’t be able to use “the scents I had happy times in method”: my all-time/long time favorites were with me through all possible times, so they are time-tested. With the newer additions to my wardrobe and my MO to wear a different perfume every day and rarely returning to the same one more often than once a month, it’s almost impossible to build that association between any particular perfume and the level of [un]happiness. Which is probably for the best: I can classify all of my favorites as my “happy times” perfumes.

Happy Times

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The final approach – The Field Test – is my own method, which I plan to run in April. I intend to wear each of the perfumes on my Don’t Ever Want to Be Without List and see if “in practice” I feel about them the same I felt “in theory” while working on the list.

If you’d like to join me, do your own list (of 10 – 15 – 20 – your choice) your most favorite perfumes and wear each one them at least once before the end on April – and we’ll compare notes in May.

Images: my own