Guerlain Chamade: Surrender? In a Heartbeat!

When I started thinking about this post, I couldn’t remember the exact occasion when Chamade came into my life. I have a documented evidence of the time when I didn’t have a single bottle of Guerlain perfume in my collection and was looking for guidance and inspiration from my readers. Then in the post that I published just a week later to report the success of my search, I mentioned that Chamade was the most recommended perfume by my readers and that I liked it and considered it as a “back-up” purchase should I have not found something even more desirable. So I assume that Chamade won me over lighting fast (“in perfume years”, I mean). Looking back I think that I might have gone for Chamade for my-first-Guerlain-perfume quest (instead of Cruel Gardenia, which I still love), had I seen in that Las Vegas boutique the real Chamade bottle and not the standard square store tester. But once I saw it several months later, the resistance was futile.

There are many great reviews for Chamade out there, so if you somehow missed the story of the perfume, both romantic and not so much connotations of the name, origin of the bottle, revolutionary use of some ingredients and a lot more, I want to refer you to the comprehensive six-part series published on Perfume Shrine (start here), concise but informative entry on Monsieur Guerlain‘s site and poetic (and useful if you’re curious about different reformulations of this perfume) 5-star review on Bois de Jasmin.

I’m positive that I tried the EdT version at some point but since my heart was taken by the modern extrait, I’ve never pursued real testing of any other concentrations or vintages. Chamade extrait feels very refined, elegant and poised. And the bottle… Even after I already had the real one in my collection, I couldn’t pass a vintage mini bottle in an antique shop. Since the perfume in the mini was slightly off, first I used the bottle in my Thinking Outside the Box project. But recently I found an even better use for it.

Chamade & Zen Garden

For many-many years I pondered the idea of getting a desk Zen garden. The problem was that, while I liked the idea, I’d never seen any of them in real life, so fearing disappointment, I kept postponing an Internet purchase in hope to come across it in a B&M store one day. When I started in the new office earlier this year, I decided that after a leap of faith I’d taken with that move, I was desensitized enough to take a risk with Zen garden kit that I had in my Amazon wish list for the last decade.

The set that arrived promptly was exactly like I imagined it! I unpacked everything, raked sand into some waves and circles, and carefully placed six rocks and two plastic cranes that came in the box in some deeply meaningful arrangement. I was happy probably for a couple of weeks. But then those plastic cranes started annoying me: they felt completely foreign – wrong size, poor liking and, in general, too much “made in China.” And then I figured out that I didn’t have to be limited by the original kit – and that was when the fun really began.

Chamade & Zen Garden

I think Chamade looks very zen in my garden.

Images: my own

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Perfume and Colour, Perfume Lovers London – November 26th, 2015

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Tara, previously of Olfactoria’s Travels, while being on the move to her own new virtual home, decided to visit a couple of friends’ blogs. I have the honor of hosting her first. Here’s one of her great reports on the PLL’s event.

Undina

***

I was particularly looking forward to this evening at Perfume Lovers London because firstly, it was being led by my mate Sabine of Iridescents and secondly, we were going to have fun drawing our scent impressions.

Instead of the usual rows of chairs, we were seated at tables laid out with paper and various art materials. Sabine had also provided some inspiration with print outs of various images and colour palettes.

As you can imagine, there was less talking and more colouring going on than at a normal PLL event, but here’s an idea of what was said and some of the wonderful images from Sabine’s blog.

Sabine at PLL's event    

Sabine: I went ten years without wearing perfume, then when I went back to it – wow – there had been an explosion in niche perfumery. I needed a way to organise and make sense of it.

I am a graphic designer so I tried to translate perfume into colour. There are quite a lot of similarities between the two. Both are very subjective; my rose is not your rose and my red is not your red. We can describe both as being opaque, bright, transparent and so on.

Sometimes there are not enough words. Colour is a way of creating a multi-sensory dimension which enhances your experience. You can train your perception of colour in the same as you can train your perception of smell.

This is why I started my blog, Iridescents, where I reproduce the images digitally. We can’t do that tonight but we do have paints, pencils and pastels so we can play around with how scents relate to colour.

Aedes de Venustas Eau de Parfum, Aedes de Venustas

Notes: Rhubarb, vetiver, red berries, tomato leaf, incense, green apple, hazelnut, honeysuckle

Lila: This is the first of the Aedes de Venustas fragrances and the perfumer is Bertrand Duchaufour.

Sabine: Try to think of a palette of 2 or 3 colours. What colours does it make you think of?

Audience members: “Pink”, “Green”, “The colours of a stick of rhubarb”.

Sabine: The pinks and greens come and go in my composition and the notes in the perfume do the same. I think of it as very jazzy. There is not a structured top, middle and base.

Lila: It’s very crisp and tart.

Sabine: If a perfume makes you think of yellow say, try and think which yellow.

The next one is not a perfume but a perfume ingredient. It’s vetiver oil. What colour does it make you think of?

Audience members: “Dirty brown”, “Khaki”, “The colour of mould.”

Molecule 01, Escentric Molecules

Sabine: This is a completely synthetic perfume, mostly made up of Iso E Super. So what colours do you use when you have a material not found in nature? Try and think of how much of one colour and how much of another. Think about the proportions.

Liquid Night, A Lab on Fire

Notes: Bergamot, lime, saffron, sage, lavender, Hinoki wood, incense, vanilla, musk

Sabine: Liquid Night is neither hot nor cold. It has hard shapes but it also has a softness to it. It’s very urban. It makes me think of driving in the rain and the reflection of the raindrops on the windscreen.

Liquid Night

Liquid Night ((c) Sabine)

Felanilla, Parfumerie Generale

Notes: Vanilla absolute, saffron, orris, banana wood, hay absolute, amber

Sabine: Felanilla is cosy and a little powdery from the iris. It’s also animalic but not too much.

Audience member: Do people in different countries relate to colours differently?

Sabine: Yes, for example people in warmer countries tend to wear warmer colours because their surroundings are brighter. People have different associations with colours, as they do with scents. People in cities tend to wear more muted and subdued colours.

Felanilla

Felanilla ((c) Sabine)

Sel Marin, Heeley

Notes: Lemon, Italian bergamot, beech leaf, sea salt, moss, algae, cedar, musk, leather

Sabine: If you think of Sel Marin as a scent representing the sea, which would it be in terms of colour – the Atlantic or the Med?

[Most people said the Atlantic.]

Audience member: Would you wear it?

Sabine: My husband is wearing it, and therefore it is a perfume I associate with him.

The Odd Fellow’s Bouquet, Atkinsons

Notes: Heliotrope, tobacco, ginger, pepper, benzoin, labdanum.

Lila: The Oddfellows is a club that anyone can join. It’s pretty great. They have premises all over the country. It’s not a gentlemen’s club but it might have been at some point in the past.

Sabine: The Odd Fellow’s Bouquet is one of those fragrances that doesn’t change much.

Lila: It’s a bit masculine for me.

Audience member: It’s very tobacco-y.

Odd Fellow's Bouquet

Odd Fellow’s Bouquet ((c) Sabine)

Jicky Parfum, Guerlain

Notes: Lavender, bergamot, lemon, mandarin, rose, vetiver, patchouli, vanilla, amber, musk.

We know perfumes can change as they develop and I try to put that into my images. Jicky definitely develops over time so you might want to leave room in your picture for how it smells in 10-20 minutes time.

Noir Exquis, L’Artisan Parfumeur

Notes: Chestnut, orange, orange blossom, coffee, maple syrup, ebony, heliotrope, vanilla, tonka, sandalwood.

Lila: This is the latest release from L’Artisan.

Sabine: I looked on the Basenotes database and the number of perfumes with black in the name hugely outweighs white. I haven’t done an image for Noir Exquis but I would use just a little black. I’d mostly use toffee, caramel and beige.

Salome, Papillon Artisan Perfumes

Notes: Jasmine, carnation, bitter red orange, Turkish rose, orange blossom, tobacco, hyraceum, styrax, vanilla, hay, patchouli, bergamot, oakmoss, cumin, birch tar, castoreum.

Sabine: We’ve saved the best till last.

Lila: You won’t be able to smell anything else after this!

Sabine: I used a lot of red in my image. Not a rose red but a fleshy red. It was blurred on Facebook for a while because it was thought to look like female genitalia.

Lila: We’ll put all the Salome pictures together and share with Liz Moores of Papillon as she’s a friend and supporter of PLL.

Salome collage

It was a great evening and we were all engrossed in creating our own visual interpretations of the fragrances. It was interesting to see how different our impressions were. Most people saw vetiver as green or brown while I saw it as grey. Sabine’s husband and I saw Sel Marin as the Atlantic sea under a slate sky, while two other people on our table saw it as a blue sea and bright yellow sun.

When you’re trying to visualise the scent as colour it really makes you think and analyse the aroma in a different way. I found this fascinating and it has definitely added to the way I interact with fragrances.

Tara's Perfumes Visualization

Tara’s Perfumes Visualization

Many thanks to Lila and Sabine for such a novel, interactive evening and to Roulier White for supplying a couple of the bottles.

***

Please answer the question for Undina’s Entertaining Statistics post: What perfume do you most associate with a colour/colours, which one(s) and why?

 

Images by Tara and Sabina

Thinking outside the Box

Several years ago I read a post on Olfactarama blog about bottles collectors*. The following paragraph made me thinking:

Even as a young girl I hoped to someday have a vanity, on which there would be a mirrored tray, full of fine perfumes in their beautiful bottles. The bottles atop my cabinet now — Agent Provacateur comes to mind, in its pink ceramic egg crowned by a plain metal spray nozzle — aren’t the most appealing ones. Those are stashed safely in the dark interior.

As I was reading that passage, I realized that from an early age my idea of storing perfumes was somewhere in the dark – a cupboard, a dresser or a cabinet. A mirrored tray hadn’t been a part of our culture: usually there was not enough space in the bedroom to have that tray and nothing to put on it. Since perfumes were rare and expensive women tended to store them in the original packaging. Opening a box, getting a bottle out and sparingly applying a perfume – all these were parts of a ritual.

After moving to the U.S., for years, while coming across perfume bottles in my friends’ bathrooms and on their dressers, I would wince. I never offered any unsolicited advice but it felt like a sacrilege to leave unprotected perfume out in the open. But over time I came up with a rationale why it was an acceptable MO: with those 2-3 bottles that my friends owned they were much more likely to run out of perfume than have perfume running out on them (through evaporation or turning bad).

While I think it is fine for “civilians” to store and use their perfumes as they pleased – be it even on a windowsill or in a glove compartment – I still get distressed every time somebody demonstrates pictures of their poorly protected collections in perfume-related FB groups. I do not comment but I feel bad about those bottles. And I do not buy partial bottles without a box any more.

My Perfume Storage

The picture above shows how my collection is stored. In the walk-in closet, away from direct light, covered by a curtain from a blackout fabric (the cat-Christmas-themed towel on top is for decorative purposes only) and in their original boxes. And, as I recently commented on Vanessa’s post on a similar topic (Through the keyhole…a peek at some of my friends’ perfume collections…), in summer for those couple of days when it gets especially hot I turn AC on during the day to keep my perfumes safe. It’s interesting because Rusty doesn’t mind hot weather and it’s much cooler in the room where he spends most of his time while we’re away working.

After this substantial preamble I want to admit that for a while now I’ve been thinking how unfair it was that I get to see those beautiful bottles that I have in my collection so rarely and how great it would be to have some of them out on my dresser. After all, many of the bottles are beautiful and unusual – unlike most boxes, I must say.

As much as I would love to see my collection more often, there is no way I could put perfumes I love “in the harm’s way.” First I decided I would buy several perfumes just to use bottles. I didn’t want to spend too much on this project but I thought of a couple of brands that were perfect candidates: I liked the bottles and didn’t like those perfumes. First I bought Van Cleef & ArpelsFeerie EdT. Feerie EdP (a beautiful dark-blue bottle) was next on my list and I even found it for an extremely good price… It was too good to be true: the seller was confused and sent me the second bottle of EdT, which I returned. Then I was too busy to keep looking for it. The second brand I wanted to use for the purpose of displaying was Salvador Dali. But even though many of their perfumes are sold at discounters online, I don’t remember when I saw any of the bottles last so I was afraid that by now they might look really cheap. So I kept postponing the purchase hoping to come across them one day somewhere. And I had the same problem with a mirrored tray: while there were many online offerings, I just couldn’t buy any of them without actually looking at them: there are so many cheap-looking objects produced nowadays.

Perfume Bottles on my Dresser

In the end I decided – at least for now – to use what I already have:

  • Instead of a tray I put on my dresser a decorative plate “J’adore Parfum – I Love Perfume” that I got as a gift with purchase.
  • Mentioned above bottle of Feerie EdT
  • Two empty bottles: Annick Goutal‘s Petite Cherie (I used up this one but couldn’t throw it because I like these colored AG’s bottles) and Salvador Dali’s Laguna (20 years ago I got it from my friend after she finished it: I liked the bottle but not enough to splurge on the perfume)
  • Two partial bottles (perfume gone bad): Les Parfums de Rosine‘s Roseberry and Yves Rocher‘s Nature (it’s one of my old favorites so I have another bottle with good perfume but I like this leaf design and kept this bottle for no good reason – probably for this project
  • Vintage mini-bottle of Chamade by Guerlain that I bought at a thrift store (perfume is marginally usable but I prefer a modern version).

I like my arrangement. It looks nice on my dresser and I think for now I scratched that itch. But those Dali bottles and Feeri EdP…

Do you buy unboxed bottles? Do you have any bottles on display?

Images: my own

* I cannot give you a link to that post because there’s something funky going on with that blog, it has some strange redirect happening and I suspect malware.

In the Search for the Perfect Grapefruit

 

I think I was about ten years old when grapefruits first appeared in our grocery stores. Nobody knew exactly what they were but the rumor had it they were a hybrid of orange and lemon. Since beside those two the only other citrus known to the population was mandarin, the information didn’t seem all that absurd.

Masses hadn’t appreciated the novelty: even though it was bigger than an average orange it was too bitter. The idea to peel each wedge didn’t occur to people at first and once it did seemed like too much work.

Fruits were scarce and expensive and there were hardly any I didn’t like. So I liked grapefruits as well.

Rusty and Pomelos

Since then I’ve tried many more different varieties of citrus including grapefruit’s real parent pomelo but grapefruit is still one of my favorite fruits and I enjoy it in many forms.

 

Perfumes

This is a perfume blog so I’ll start with the perfume-related part (though for whatever reason – holidays? – my thoughts are all over the place). Grapefruit is a popular note in both supporting and leading roles so I am not trying to cover even all grapefruit perfumes that I’ve ever tested and still have samples of but will mention only several in-you-face grapefruit fragrances that I liked the most.

Aqua Allegoria Pamplelune by Guerlain is probably one of the best-known grapefruit perfumes. If you want a real review, I suggest reading Suzanna’s (Bois de Jasmine) five-star rated review. If you’re familiar with the perfume, I recommend reading Vanessa’s (Bonkers about Perfume) post Bonkers “In Edinburgh”: The Guerlain Pamplelune Sniff-Off And A Bid To Rescue Birgit’s Grapefruit Scent Squeeze – just for laughs. I like Pamplelune and two mini bottles will satisfy my grapefruit cravings for a while. Once they are gone I suspect I’ll want more.

Guerlain Pamplelune

Not surprisingly, Grapefruit by Jo Malone is the second perfume that comes into the conversation every time somebody raises the topic of perfumes with the homonymous note. Gaia (The non-Blonde) in her review was even more generous towards this perfume than I would have been: I think it’s nice but not interesting enough to tolerate the usual Jo Malone perfumes’ vanishing act and too expensive to use it in, again, usual for the brand’s DIY layering games. But I love Jo Malone’s Grapefruit Body & Hand Wash Gel. My travel-sized bottle is gone so now I’m thinking about buying the real bottle. I do not like the price but I enjoyed taking showers with that gel so much that I might just take the plunge.

JM Grapefruit‘s half-sibling, Pomelo by Jo Loves… (same perfumer but different brand and relations become even murkier if to consider fruits themselves), starts like a juicy grapefruit (well, technically pomelo but those two are close enough) but the drydown on my skin is very similar to the older brother’s one. And with an even higher sticker price this one isn’t making it into my collection. For real review of Jo Loves… Pomelo read Lucas’ (Chemist in the Bottle) post.

Another half-sibling, Assam & Grapefruit by Jo Malone (same brand but different perfumer), much more subtle with grapefruit, was a limited edition a couple of years ago (it’s still available online) so even though I have a bottle of it and wear it in summer from time to time, I don’t think it’s special enough to recommend hunting for it.

Eau de Pamplemousse Rose by Hermès in its opening is an unmistakably grapefruit perfume. Every time I try it, for the first couple of minutes I have to hold myself from leaking my wrist – so believable Eau de Pamplemousse Rose smells of sweet and juicy grapefruit! But then it dries down to a floral skin scent. It’s pleasant but the only reason I might go for a small bottle is because I like those colored bottles from the line. Birgit (Olfactoria’s Travels) thinks that Eau de Pamplemousse Rose can be trusted to revive the spirits, even if the rain keeps falling.

Rusty and Guerlain Pmplelune 

Drinks

I’m not a tea connoisseur (so if you are please disregard this part of my post) but I like tea and throughout the years I found different teas that I enjoy drinking. One of such teas is Lupicia Grapefruit Green tea. It’s very fragrant and has a very believable grapefruit smell. I bought this tea more than once which I do only with teas that I really liked – otherwise I just move on.

 

Food

Several years ago at Out The Door restaurant in San Francisco I ate Jicama and Grapefruit Salad with Red Cabbage, Candied Pecans and Sweet Soy Dressing salad. It was created by a known master chef Charles Phan (Slanted Door). I liked it and started making a variation of it at home. You can simplify the preparation by buying candied pecans instead of making your own. I found a blog with detailed instructions and pictures for this salad, so I won’t reproduce it here but rather give you a link.

 

Do you like grapefruits?

 

 

Images: my own

In the Search for the Perfect Carnation

 

Through my childhood carnation was considered an official flower. Probably because of their resilience and color (red – the color of the 1917 Revolution, the anniversary of which was just a couple of days ago) carnation bouquets were traditionally brought to monuments of political leaders, used in decorating official gatherings and as funeral flowers. People were buying them for personal use as well but they always had a little stigma about them being too official and not personal enough. I remember one patriotic song’s refrain:

Red carnation is a troubled times companion;
Red carnation is our flower!

I didn’t dislike carnations but wasn’t too fond of them either. Those still were flowers, which meant better than no flowers at all, but not the first… let’s say five choices.

Soviet October Revolution Postcard

I have to mention also that the art of making real bouquets – as the opposite to just putting several stems in a bunch – didn’t come to the country where I grew up until I was well into my adulthood. Just so that you could feel the depth of it: I got married holding a cellophane cone with a bunch of (extremely expensive!) long-stemmed roses. And that was how it was done back then; it wasn’t some eccentricity on my part.

My perception of carnation had changed on my wedding day. In lieu of flower decorations it was customary for guests to bring flowers as a gift to the bride. There were many bundles of flowers, mostly roses. Some relatives brought me a huge bouquet of white carnations with greenery. It wasn’t done for me. They did it because they were very wealthy and wanted to stand out in the crowd (can you tell how I feel about them?). But regardless of their intentions they impressed me: it was one of the most beautiful bouquets I’d seen by then. And because of the mentioned above natural resilience of carnation that white-green composition well outlived all the roses we hauled home after the celebration. The bouquet below is just an illustration, “my” was three times bigger and even more beautiful.

Carnations Bouquet

Carnation isn’t the most popular note in perfumes. There are not that many soliflores or carnation-centered perfumes. I wasn’t really looking for the perfect carnation scent but I tested those that came my way.

Vitriol d’oeillet by Serge Lutens – created in 2011 by Christopher Shedrake, notes include clove, pepper, carnation, Gillyflower, woody notes, powdery notes and sweet notes. I won a decant of Vitriol d’oeillet in a giveaway on Ines’ blog (All I am – a redhead). Carnation – check! Woody notes – check! Sweet notes (whatever it means) – check. Altogether… it’s a nice and calm (despite the name) carnation perfume that I wish had a better longevity. I like it and wear sometimes but I do not see myself going beyond a bigger decant that I bought recently.

Terracotta Voile d’Ete by Guerlain – created in 1999 by Jean-Paul Guerlain and Mathilde Laurent, notes include bergamot, jasmine, mint, carnation, heliotrope, lily, pear, rose, iris root, vanilla and ylang-ylang. Lovely Tara (Olfactoria’s Travels) sent me a generous sample of this perfume. Terracotta Voile d’Ete is a warm and spicy perfume with a prominent carnation note. It’s not as transparent as Vitriol d’oeillet and has a much better tenacity. I like it as a scent but I’m not sure if I want to wear this perfume.

Eau Eternelle by Poncet – created in 2011, notes include grapefruit, jasmine, lemon, mandarin, petit grain, carnation, lavender, pink lotus, rosemary, water lily, clove, guaiac wood, moss, patchouli and sandalwood. Eau Eternelle is one of those perfumes with which I feel puzzled comparing the notes list to what I smell. The first second after the application I smell an interesting floral burst but really for just a second. Then – a relatively boring scent. Some lily, some carnation… It’s never unpleasant, just completely unremarkable and not memorable. Did it really require all those ingredients to create this?!

Oeillets Rouge by DSH Perfumes – created by Dawn Spencer Hurwitz, notes include bergamot, green peppercorn, nutmeg, beeswax, carnation, amber, ambergris, myrrh and vanilla. My sample came from Joanne (Redolent of Spices). Oeillets Rouge is a very believable carnation scent. I liked it when I tested it first but now it smells to me as a prototype, a pencil draw for the perfume I describe next.

Euphorisme d’Opium by DSH Perfumes  – created in 2012 by Dawn Spencer Hurwitz as a part of the Tribute to YSL collection, notes include aldehydes, bay leaf, bitter orange, mandarin, peach, pimento, pink pepper, Bulgarian rose, carnation, cinnamon, clove, amber, Atlas cedarwood, benzoin (styrax), civet, incense, Indian patchouli, musk, myrrh and vanilla. Don’t let that plethora of notes confuse you: this is a carnation-centered perfume. Too bad that “pissed-off carnation” name had been already taken: in my opinion, it would have suited this fragrance much better than Serge Lutens’ one. I sample it from a dab vial sent to me by the perfumer and thought it was a very powerful perfume. I’m not sure I could stand it sprayed – this is how intense it is. I’m still testing Euphorisme d’Opium trying to figure out if I should go for a bottle of it – while it’s still available.

I tried Bellodgia by Caron but either my sample is too… vintage or my nose isn’t trained enough but I’m not getting a carnation from it.

Carnations

Do you like carnations?

 

Images: not a single one is mine, I found them all through a search engine but I can’t find proper attribution.

Unveiling the Identity of my Birthday’s Guerlain Perfume

 

In the post for my Birthday Girls Just Want to Have Fun I’ve mentioned that I treated myself to the bottle of a perfume from Guerlain (I wonder if it’ll become a yearly tradition) and asked you to try guessing which one.

There were sixteen guesses and Susan (Fine Fragrants) got it right: my new Guerlain perfume is Encens Mythique d’Orient from Les Déserts d’Orient collection. Susan will be getting a 3 ml sample of Encens Mythique d’Orient to help her through the waiting for her own bottle.

Guerlain Encens Mythique d'Orient

When last year I read about that new collection being released, not being a real Guerlain fan girl (yet?), I wasn’t too excited: one more limited distribution offering that I didn’t want to chase.

Then I read a review of all three perfumes at Olfactoria’s Travels and though it was very nice and … polite – the way most Birgit’s reviews are – it didn’t conjure any lemmings: most likely because B. didn’t love any of them and, once again, because of the limited availability.

And then I decided to break my last year’s NY resolution of not buying samples until I test most of those that I’d previously accumulated and bought 2.5 ml samples of all three perfumes in the collection.

Encens Mythique d’Orient was love at the first sniff. I haven’t read a single raving review for it (there were many positive though – not sure if reviewers really liked it or were just loyal to a favorite brand). My friend at work really disliked it; her comment was:  “It smells like a men’s perfume counter at Macy’s” (so no wearing of it to the office). I tried to negotiate with myself getting a decant first… But a decant bottle wouldn’t be a nice birthday present, would it?

Guerlain Encens Mythique d'Orient

I’ll make another 2 ml spray sample to give away to one of my readers anywhere in the world (though nobody knows what might happen to it with the international shipping) – to try if you haven’t tried it yet/want to re-try or to use if you liked it but not enough to go for a bottle – just tell me what you think. I’ll use some type of random selection after closing the draw on Wednesday, February 20, 2013, at 11:59 p.m. PST.

If you don’t want to be in the draw, tell me anyway if you liked Encens Mythique d’Orient, disliked it or felt indifferent – I’m curious.

And do not think I disregard your opinion! Even though a year ago for my birthday I chose not the mostly recommended perfume, I rectified it later in the year when I bought Chamade that seven people had suggested as a perfume to remember my New York trip by. Six readers named Vol de Nuit this time. It’s just an observation…

 

Images: my own.

Entertaining Statistics: 2012 Year Round-up

 

Wearing and testing perfumes every day and getting monthly statistics numbers create some general feeling about where you stand on your likes and dislikes but nothing puts it into prospective better than the complete year data. As I was contemplating this post I was both excited and scared: what would I discover about myself when I compile all the results?

In 2012 I wore and tested more perfumes than in 2011: 414 vs. 376 perfumes from 119 vs. 110 brands. But since starting from December 2011 I was recording the type of use – wear1 vs. testing2 I’m able to get deeper into from where those numbers come.

 

Quick 2012 stats:

* Different perfumes worn1138 from 50 brands on 348 occasions;

Brands I wore in 2012

* Different perfumes tested2356 from 114 brands on 572 occasions;

Brands I tested in 2012

* Perfumes I tried for the first time: 245 (it was 303 in 2011);

I wear perfumes I like and own almost every day. Perfumes I reached for the most in 2012 (with times worn): Dior New Look 1947 (11), Chanel №19# EdT & parfum (10), Chanel Cuir de Russie (8), Guerlain Cruel Gardénia (8), Antonia’s Flowers Tiempe Passate (7), Tauer Perfumes Une Rose Vermeille# (7), Yosh Ginger Ciao (7), Hermès Voyage d’Hermès (6), Les Parfums de Rosine Rose d’Amour (6), Tom Ford Violet Blonde (6), Chanel Bois des Iles (5), Guerlain Encens Mythique d’Orient (5), Lancome Climat (5), Neela Vermeire Creations Bombay Bling! (5), Parfum d’Empire Ambre Russe (5), Tom Ford Amber Absolute (5).

 

Counting my Lemmings (don’t fall asleep!)

In the Weekly Roundup series this year I mentioned 46 perfumes I was looking forward to testing. I still haven’t tried 19 of those (5 haven’t been released yet). My most cherished lemmings are: Ann Gerard Perle de Mousse, Ramón Monegal Impossible Iris, Parfumerie Generale L’Ombre Fauve and Armaini Privé Cuir Noir. I’m still trying to avoid paying for samples so if you have any extras for those mentioned above – let’s swap!

Out of those 27 lemmings that I managed to try I liked 15 and thought that the rest were fine – so no big disappointments.

2012 in Statis Pictures

Seeing 2012 off

Speaking of disappointments, I was surprised to read on many blogs that 2012 wasn’t a good year perfume-wise for many perfumistas. My feeling was that there were many perfumes that I liked. I went through the list of perfumes from 2012 (only those that I’ve tried, not all 1,300+). I liked very much at least 25 perfumes released last year: Amouage Beloved and Opus VI; Annick Goutal Nuit Étoilée; By Kilian Amber Oud, Bamboo Harmony, Forbidden Games and In the City of Sin; Cognoscenti Scent No.16 – Tomato Leather and Scent No.19 – Warm Carrot; Dior Grand Bal; Diptyque Volutes; DSH Perfumes Euphorisme d’Opium, Ma Plus Belle Histoire d’Amour and The Beat Look; Guerlain Encens Mythique d’Orient and Myrrhe et Délires; Ineke Hothouse Flower; Jo Malone Blackberry & Bay and White Lilac & Rhubarb; Jul et Mad Amour de Palazzo; L’Artisan Parfumeur Seville a l’aube; Parfums MDCI Chypre Palatin; Serge Lutens Santal Majuscule; Six Scents Napa Noir and Tom Ford Ombre de Hyacinth. I have four full bottles and seven decants to show for these “likes” and I’m considering several more. Another 15 were not bad; I just didn’t love them.

I’ve done two full years of these monthly stats posts. I wonder if I can still find an interesting angle of analyzing data I collect. We’ll see.  

 

1 For the testing I apply a perfume to one area on my arms easily available for the repetitive sniffing. But, most likely, I’m the only one who can smell it. I can test two, sometimes even more perfumes at the same time.

2 When I wear a perfume I apply it to at least three-four points and usually I plan to spend at least 4-8 hours with the same scent so I’m prepared to re-apply if the original application wears off.

# These were in the Top 10 of 2011 as well.

 

Images: my own