Tom Ford

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“Orchids haven’t started blooming yet…”

I saw my first live orchid when I was about twenty years old. I knew about their existence, read about them in books and maybe even saw them once or twice on TV (not sure about that part though) but they just weren’t present where I grew up.

As I tried to remember from where I knew about orchids, Nero Wolfe mysteries by Rex Stout were the first suspects that came to mind. Those who read the novels know the important part that the orchid greenhouse plays in the stories: the fact that the famous detective was spending in there four hours daily making clients, police and everybody else adjust their schedules around that activity is one of the common elements of most books in the series. I liked these mysteries and read many of them. So it was hard not to get intrigued by the orchids.

Orchids

But no, these books came into my life later and they weren’t my first encounter with the fascinating flowers. I think the first impression – or rather imprint on my psyche – had been left by the film based on Arthur Conan Doyle‘s novel The Hound of the Baskervilles. Do you remember the scene when Miss Stapleton meets Dr. Watson for the first time and, thinking he was Sir Henry Baskerville, tries to warn him?

“Man, man!” she cried. “Can you not tell when a warning is for your own good? Go back to London! Start tonight! Get away from this place at all costs! Hush, my brother is coming! Not a word of what I have said. Would you mind getting that orchid for me among the mare’s-tails yonder? We are very rich in orchids on the moor, though, of course, you are rather late to see the beauties of the place.“

That is the only scene where orchids are mentioned in the book and it’s not too captivating. So why did it have such an effect on me? As I mentioned, it was a film not a book and orchids played a much more prominent role there.

Unlike that character in the book, Sir Henry in this film version was depicted as a slightly goofy and peculiar man. I would go so far as defining him as a comic relief. There is a scene in the movie – a totally original one, there’s nothing even remotely close to it in the book: Sir Henry and Dr. Watson, while waiting in Sir Henry’s room to discover the reason for the secret night journeys of the butler, Mr. Barrymore, to the window, got drunk and Sir Henry, for a minute and a half of the screen time, kept asking Dr. Watson what exactly Miss Stapleton, with whom he was falling in love, told Dr. Watson about orchids and Dr. Watson kept answering: “She said: it is too early to see the beauties of the place since orchids haven’t started blooming yet.” And they went on and on about it (see the video clip below; it doesn’t have subtitles but body language and manner of speech is clear enough to understand what is going on).

That last part about orchids became a popular expression. I’m not sure if others caught the season swap – I didn’t. It wasn’t until I looked up the original quote for this post that I realized that there was a switch.

I don’t know with any degree of certainty why the script writer or the director decided to do that: I doubt it was done for the phrase. But knowing where the movie was filmed, my guess is that they’d decided it would be easier to depict Devon’s nature in early spring without any greenery. And did I mention we had no orchids whatsoever?

I like orchids. Not only they are utterly beautiful but they are also very enduring: they bloom for months. But orchids do not like me: the longest I managed to keep one of them alive was about two years and it never bloomed again. Usually, though, it ends up like this (giraffe finger puppet optional):

Orchid post bloom

So while I still get real orchids in my house from time to time, I decided to focus my attention on more … durable objects. Who would have thought I could find a context to classify perfume as durable? But compared to orchids…

Black Orchid by Tom Ford does not require an introduction: by now everybody has tried it and made up their minds (but for those who landed on this post right after returning from a desert island, Kafka’s review provides all the information for this perfume you might crave). I just want to touch on a couple of aspects.

First, Black Orchid is one of a few perfumes that live up to the qualifier: it smells deep and dark. It’s not a day-wear perfume and it even smells differently in the evening (OK, I know that this part is subjective but I had to share how I feel).

Second, I fail to smell chocolate in Black Orchid. Usually I’m not surprised when I cannot get some notes since my nose isn’t too good with discerning them. But chocolate?! Do you know how many kilograms of dark chocolate I’ve consumed?!!

Speaking of chocolate, are you aware that there is an orchid variety that smells like chocolate? I encountered it on my Hawaiian trip – in a greenhouse though, not in nature (see the picture below). Black Orchid doesn’t smell like it either.

Orchid that smells like chocolate

Back to durability… I’ve recently discovered that my mini bottle of Black Orchid has gone bad. I got it in a swap so I’m not sure how old it is but it reinforces my bias against dab mini bottles. If I go through the remaining spray sample I might consider a small bottle since I like both the scent and the bottle. And I like the idea of a black orchid.

 

Images: my own

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How Do You Take Your Amber?

We had a really strange winter this year*: it has never actually got cold. When I say “cold” I mean, of course, our Californian cold – something like 10C/50F. Instead of it the average high temperature in February, for example, was 16C/60F. I’m not really complaining especially after hearing about record levels of snow and cold weather all over the world. After all, no matter how much I realize that warm weather in absence of rain makes our drought situation even worse, objectively if feels nice.

But there was one serious negative consequence for me: this past winter I couldn’t wear almost any of my favorite amber perfumes. Even though I do not do a conscious season rotation of perfumes, my wearing habits gravitate towards the commonly accepted practice of lighter scents in summer and heavier members of my collection in winter. So the only amber I wear in hot weather is my amber necklace.

Amber Necklace

As winter approached I was eager to start wearing my favorite ambers again. The first disappointment came when I put on Ambre Russe by Parfum d’Empire. This perfume was on my “to buy” list for a couple of years so I decided to finish the sample I had and finally buy a bottle. Actually, I would have bought it not waiting for the last drop to leave the sample vial if it weren’t for an unavailability of more reasonable 50 ml bottles. Now I think that maybe it was a sign: the last time I wore it from the sample I felt almost like washing it off. Now I’m not sure any more if I even want it.

After that I was very careful approaching the rest of the usual suspects: Ambre Sultan by Serge Lutens, Ambre Fetishe by Annick Gotal, Amber Absolute by Tom Ford and Mitzah by Dior – each got just one wear, if that. I didn’t dislike them but I didn’t get the same warm feeling I used to get from them before. Even L’eau d’Ambre Extreme by L’Artisan Parfumeur felt too heavy for the weather.

There were just a couple of ambers that worked better and didn’t scare me. Unexpectedly, two of those were Ambre Orient by Armani Prive and Amber Oud from By Kilian. I am surprised because both have agarwood – the note that is difficult for me. But this time amber + agarwood combination seemed exactly what I needed. One more perfume that suddenly came into favor was Calamity J by Juliette Has A Gun. After I deplete the decant I will consider adding a bottle to my collection.

Despite all that I had more amber in my life this winter than ever before: last New Year I’ve got a gift from my vSO – Black Orchid Diffuser Set from my favorite designer Michael Aram. I’ve never had a diffuser before but was glad to get this one since I have some other items from this collection. Official notes are citrus, floral notes, tropical fruits, cedar, sandalwood and musk but for my nose it smells like a light amber perfume. And for a while, until I realized from where that wonderful scent was coming, I tried to figure out which of my perfumes left those traces and, which was even more important, where?!

Michael Aram Black Orchid Diffuser

So this year I take my amber light or very light. And, it seems, with agarwood. But I really hope that next year I’ll be able to enjoy the “heavy hitters” (© Olfactoria, Queen of Amber) again.

 

How do you take your amber nowadays?

* Ines recently started her post with the exact phrase but I swear I had this part already written by the time I read her post.

 

Images: my own

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“My” brand and “not my” brand

 

As I was updating My Perfume Portrait I looked closer at my favorite perfumes from the brands prospective.

In my pre-perfumista life I didn’t even think about brands. I would try all new mainstream perfumes, no matter who’d created them, choose those I wanted to get immediately and those for which I would wait to buy online discounted. Over years I wore Dior, Givenchy, Yves Rocher, Elizabeth Arden and YSL. I might have owned a couple of perfumes from the same brand at the same time but I’m not sure.

The first brand I recognized as such was Jo Malone. I can’t say that all of their perfumes immediately became my favorites but I kept finding more and more perfumes I liked and wanted to wear. Even today Jo Malone’s perfumes dominate my collection with at least 2:1 ratio to any other most popular brands.

Jo Malone in my collection

But while the number of bottles might be a sufficient condition to qualify a brand as “my“, it’s not a necessary one. Taking into the account prices of modern niche perfumes as well as bottle sizes and the size of my collection, a couple of samples or a small decant sometimes is all I need to enjoy the perfume I like. And sometimes I simply have the feeling that the brand is just right for me.

Do you remember how it was for you in the beginning? For me it was an enormous amount of information – names, notes, perfumers and brands.  The first brand I consciously approached three years ago, when I was just starting my voyage into the unknown world of niche perfumery, was Amouage. My first samples order consisted of seven perfumes from the brand; five of them were hits. Amouage is one of “my” brands ever since – even though I can’t add all the perfumes I like to my collection as full bottles.

Rusty and Amouage Memoir

Among other brands that I consider in the same category (not counting new(er) brands with less than five perfumes in the line) are Ormonde Jayne,  Annick Goutal, Atelier Cologne, Tom Ford, Chanel and Dior (exclusive lines from the last two). I do not love or want to wear all of the perfumes from these lines but on average these brands create more perfumes that I (at least) like. These are “my” brands.

On the other end of spectrum there are brands, work of which I respect, find interesting and sometimes even love but in general I feel like those brands are “not my.” By Kilian, Guerlain, Tauer Perfumes, Serge Lutens or Frederic Malle are good examples of such brands. Even though I own several bottles and decants from all these brands, their perfumes don’t work for me more often than they do.

Perfume bottles

If you were to name just two brands – one that is totally you and one that mostly leaves you cold – what would those be?

 

Images: my own

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Entertaining Statistics: 2012 Year Round-up

 

Wearing and testing perfumes every day and getting monthly statistics numbers create some general feeling about where you stand on your likes and dislikes but nothing puts it into prospective better than the complete year data. As I was contemplating this post I was both excited and scared: what would I discover about myself when I compile all the results?

In 2012 I wore and tested more perfumes than in 2011: 414 vs. 376 perfumes from 119 vs. 110 brands. But since starting from December 2011 I was recording the type of use – wear1 vs. testing2 I’m able to get deeper into from where those numbers come.

 

Quick 2012 stats:

* Different perfumes worn1: 138 from 50 brands on 348 occasions;

Brands I wore in 2012

* Different perfumes tested2: 356 from 114 brands on 572 occasions;

Brands I tested in 2012

* Perfumes I tried for the first time: 245 (it was 303 in 2011);

I wear perfumes I like and own almost every day. Perfumes I reached for the most in 2012 (with times worn): Dior New Look 1947 (11), Chanel №19# EdT & parfum (10), Chanel Cuir de Russie (8), Guerlain Cruel Gardénia (8), Antonia’s Flowers Tiempe Passate (7), Tauer Perfumes Une Rose Vermeille# (7), Yosh Ginger Ciao (7), Hermès Voyage d’Hermès (6), Les Parfums de Rosine Rose d’Amour (6), Tom Ford Violet Blonde (6), Chanel Bois des Iles (5), Guerlain Encens Mythique d’Orient (5), Lancome Climat (5), Neela Vermeire Creations Bombay Bling! (5), Parfum d’Empire Ambre Russe (5), Tom Ford Amber Absolute (5).

 

Counting my Lemmings (don’t fall asleep!)

In the Weekly Roundup series this year I mentioned 46 perfumes I was looking forward to testing. I still haven’t tried 19 of those (5 haven’t been released yet). My most cherished lemmings are: Ann Gerard Perle de Mousse, Ramón Monegal Impossible Iris, Parfumerie Generale L’Ombre Fauve and Armaini Privé Cuir Noir. I’m still trying to avoid paying for samples so if you have any extras for those mentioned above – let’s swap!

Out of those 27 lemmings that I managed to try I liked 15 and thought that the rest were fine – so no big disappointments.

2012 in Statis Pictures

Seeing 2012 off

Speaking of disappointments, I was surprised to read on many blogs that 2012 wasn’t a good year perfume-wise for many perfumistas. My feeling was that there were many perfumes that I liked. I went through the list of perfumes from 2012 (only those that I’ve tried, not all 1,300+). I liked very much at least 25 perfumes released last year: Amouage Beloved and Opus VI; Annick Goutal Nuit Étoilée; By Kilian Amber Oud, Bamboo Harmony, Forbidden Games and In the City of Sin; Cognoscenti Scent No.16 – Tomato Leather and Scent No.19 – Warm Carrot; Dior Grand Bal; Diptyque Volutes; DSH Perfumes Euphorisme d’Opium, Ma Plus Belle Histoire d’Amour and The Beat Look; Guerlain Encens Mythique d’Orient and Myrrhe et Délires; Ineke Hothouse Flower; Jo Malone Blackberry & Bay and White Lilac & Rhubarb; Jul et Mad Amour de Palazzo; L’Artisan Parfumeur Seville a l’aube; Parfums MDCI Chypre Palatin; Serge Lutens Santal Majuscule; Six Scents Napa Noir and Tom Ford Ombre de Hyacinth. I have four full bottles and seven decants to show for these “likes” and I’m considering several more. Another 15 were not bad; I just didn’t love them.

I’ve done two full years of these monthly stats posts. I wonder if I can still find an interesting angle of analyzing data I collect. We’ll see.  

 

1 For the testing I apply a perfume to one area on my arms easily available for the repetitive sniffing. But, most likely, I’m the only one who can smell it. I can test two, sometimes even more perfumes at the same time.

2 When I wear a perfume I apply it to at least three-four points and usually I plan to spend at least 4-8 hours with the same scent so I’m prepared to re-apply if the original application wears off.

# These were in the Top 10 of 2011 as well.

 

Images: my own

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Will you go to the Ball?

 

What is the first thing that comes to mind when you hear the word “Ball”? For me it’s Cinderella and her Glass Slipper (though in the version from my childhood it was a Crystal Shoe, which sounded even more romantic), the first ball of Natasha Rostova from War and Peace and a strange game we would play as kids.

The host would start with a rhyme (loosely translated):

Lady of the Manor has sent you some money.
She has instructed: you buy what you want;
Don’t wear black or white during your jaunt;
“Yes/No”’re off-limit and even when funny
Don’t dare laugh or smile,
Don’t twitch at all!

Will you go to the Ball?

From this point participants will answer different questions about the imaginary ball, their attire, means of transportation and so on and so forth – until one of them slips the forbidden exclamation or adjective. You would think that this game is like Tic-tac-toe: once you know the algorithm it should end up in a tie every time. But no: kids’ minds are very inventive and persistent. “Are we there yet?”

With all that in the background, could I not be predisposed to like Grand Bal from Dior’s La Collection Privée?

Grand Bal by Dior – created in 2012 by Francois Demachy, notes include bergamot, orange blossom, jasmine, ylang-ylang, musk and sandalwood. I really-really-really wanted to try it. I contacted a friendly SA from a Dior’s boutique and he was kind enough to send me some samples of Grand Bal.

The first attempt wasn’t successful: the package had arrived with two completely smashed vials. Rusty had inspected the content of the envelope and found it interesting for playing with (I didn’t allow him to proceed with that) but useable only as a room freshener (I kept it for a couple of days in that role).

Rusty and Broken Vials of Dior's Grand Ball

The second time was a charm and I got a chance to wear Grand Bal on the skin. It’s a lot of jasmine. When I tested Jasmin Rouge by Tom Ford I thought I didn’t like jasmine as a dominant note in perfumes. But unlike Jasmin Rouge and Sarrasins by Serge Lutens that both come out unclean on my skin Grand Bal smells very clean, uncomplicated and easy flowing. It reminds me of this Waltz of the Flowers scene from the animated film from my childhood:

 

 

I know that there are notes other than jasmine in Grand Bal but for my nose jasmine dominates the composition allowing all other components to play an entourage on its appearance at the ball. And only when I smell it in parallel with other jasmine-intense perfumes I detect orange blossom and realize how different all those jasmine perfumes are. It’s hardly an original thought but it hit me. Probably because on previous occasions of testing those perfumes I just thought habitually: “It’s a lot of jasmine…”

Will I go to the ball for a bottle? Yes No I don’t know yet. I will try wearing the remaining portion of my Grand Bal sample “for real” (sprayed multiple times and not only on my wrist) and then decide.

 

Image: my own

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New Year Resolutions, Part I: 2011 Round Up

New Year resolutions… Crowds in gyms and dance classes usually subside by mid-February allowing regulars to go back to their normal routines. Healthier eating habits get buried under stress of a “holiday-less” life and kitchen catch-all drawers stay in their natural state that makes finding any useful thing we put in there at some point an adventure.

In the beginning of 2011 I decided to see at least one of my New Year resolutions through. The resolution was: I will wear one of my favorite perfumes at least two times a week. By that time I’d created already a database to hold information about perfumes in my collection. So all I needed to add was a diary part where I could record my perfumes usage.

I’m proud to report that in all twelve months of 2011 I followed my NY resolution and gave perfumes in my permanent collection the attention they deserve. In addition to that, my numbers collecting provided me with a lot of interesting though probably not that useful data points which I’d shared with my readers in the Quick stats section of my monthly reports.

I was very curious to see the numbers for the whole year. So, here they are.

Quick 2011 stats:

* Different perfumes worn/tested: 376 (303 tested for the first time and 73 previously tested – see the chart by month) from 110 brands;

2011 statistics: perfumes worn by month* Perfumes I wore just once: 191;

* My Top 10 Brands (perfume house I wore/tested most often): see the chart, click on it for a full size;

My Top 10 Brands in 2011

* My Top 10 Perfumes (those that I wore the most often):

Perfume

Times Worn
№19 EdT by Chanel

16
Heure Exquise by Annick Goutal

13
Tiare by Ormonde Jayne

12
№19 Poudre by Chanel

10
Bronze Goddess by Estee Lauder

9
Iris Poudre by Frederic Malle

9
Une Rose Vermeille by Tauer Perfumes

9
Antonia by Puredistance

8
Jeux de Peau by Serge Lutens

8
Ta’if by Ormonde Jayne

8

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Coming up in the next couple of days New Year Resolutions, Part II: Perfumed resolutions for 2012.

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Images: my own

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See also year end posts and Top N lists for 2011 from the friendly blogs:

Another Perfume Blog: Best Perfumes of 2011: A Joint Blogging Event

beauty on the outside: Highlights from 2011

EauMG: Best of 2011 – Perfume Blogging Event

eyeliner on a cat: Best Fragrances of 2011

From Top to Bottom: My 2011

Muse in Wooden Shoes: 2011: The Year’s Fragrance Releases in Review

Olfactoria’s Travels: The Best Of 2011 – My Favorite Perfumes Of The Year

Perfume in Progress: Some thoughts as the year ends

Persolaise – A Perfumer’s Blog: The Best Perfumes Of 2011 & Thoughts On Independence

Pieces of paper, squiggy lines: My Favorite Fragrant discoveries of 2011

Scent of the Day: My Favorites of 2011

Scents of Self: Forgotten Fragrances of 2011

The Alembicated Genie: Best of the Best 2011 – Perfumes and Perfumers and Best of the Best 2011 – Worn and Adored

The Candy Perfume Boy: The Candy Perfume Boy’s Best Picks of 2011

The Non-Blonde: 2011 In Perfume- Delights & Rants

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Body Heat: Perfumes under Extreme Temperatures

There are people who love running, playing tennis or swimming. I heard they can experience a withdrawal if they have to skip several training sessions. It’s not my story. I hate exercising as long as I can remember myself. I do engage in different activities but do it out of the necessity only: if I could get Kathleen Turner’s body and don’t worry about my health without exercising I wouldn’t (I wonder which perfume bottle she’s holding in that scene).

Kathleen Turner in Body HeatWell, since a lean gene wasn’t one of those passed to me from my parents I do my part in at least keeping myself healthy.

At least as much as physical activity, if not more, I dislike heat. I don’t like cold either.  My comfortable zone is somewhere around 24°C (75°F).

All that makes it hard to explain why out of all available types of physical activities I chose Bikram yoga – a system of yoga practiced in a room heated to 40°C (105°F). I’ve been practicing Bikram yoga (with some breaks) for 18 months. I still hate every minute of a 90 minutes class. But I plan to keep doing it.

For me yoga is just an exercise. I do not subscribe to the philosophy. If I follow the breathing instructions I do it only if it helps to maintain the posture. I do not try to clear my mind and concentrate on what I’m doing. I’m not pushing myself too hard. I’m just trying to survive. One of the things that help me through the class is thinking about perfumes – about which I read or plan to write or which I want to try.

For a long time I tried not to wear any perfumes to my classes thinking they wouldn’t perform well in high heat or would bother me or my neighbors. And then one day I didn’t think about the class I had scheduled in the evening. I wore a perfume to the office and even re-applied it mid-day. By the time I started the first breathing exercise I forgot about it. And when my body heated up enough suddenly the perfume started blooming on my skin. It was magical. It was much more interesting than what I experienced earlier that day with the same perfume. It was Serge Lutens’ Boxeuses.

Since then I started experimenting with different perfumes. I apply just a little bit of a perfume in the décolleté area and on my wrists an hour before I go to the class and then during JanuShirasana or Pavanamuktasana I inhale wafts of the hot air mixed with moisture and perfume particles. It makes my classes go by faster and gives them some additional purpose.

Perfumes that performed the best under such strange conditions: another Serge Lutens’ creation – Ambre Sultan, Ubar by Amouage and Alahine by Teo Cabanel.

Tom Ford’s Arabian Wood, Chergui by Serge Lutens and Mitzah by Dior were very nice but didn’t survive Garudasana (approx. 15 minutes into the class). All three were applied from a dab vial so maybe a more generous spray application would produce a better effect – I’ll re-try them when I get those into my collection.

No 19 Poudre by Chanel didn’t work at all. Not possessing a remarkable staying power as is, it disappeared from my skin by the time I unfolded my yoga mat. It was a strange experiment but I thought that maybe it had some hidden powers. It didn’t.

I remember reading on one of the blogs that I always read a topic about a “treadmill scents” (or something to that effect) but now I can’t find that post. If an owner recognizes it from the description or if you covered this topic in your blog, please post a link.

What is your torture of choice and what perfumes (if any) make it more enjoyable?

Image: Kathleen Turner in Body Heat by allposters.com

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New Year Resolutions: November

In November, which was wonderful in our area this year, I both wore and tested even less perfumes than the month before. I’m not sure but I think it happened because I wanted to spend more time with my favorite perfumes – wearing them and not just visiting briefly in between tests of more and more new samples. Also I was working on my short-list of perfumes-candidates for joining my collection this holiday season. I’m down to six and working on the final choice(s).

My short-list: Une Rose Vermeille by Tauer Perfumes, Cuir de Russie by Chanel, Vert Pour Madame by DSH, Ambre Fetiche by Annick Goutal, Arabian Wood by Tom Ford, Ginger Ciao by Yosh.

Also, I just realized that in the last couple of weeks almost every night I was using Sonoma Scent Studio‘s Fig Tree shea butter as my night hand cream and it automatically excludes wearing any other sleep scent (I wrote more about it in my recent post).

Quick November stats:

November statistics: number of wears per brand* Different perfumes worn/tested: 61 (-3) from 24 (-6) brands on 79 (-6) occasions;

* Favorite perfumes worn: 16 (+2) on 21 occasions (+2);

* Perfumes I tried for the first time: 16 (-9);

* Perfume house I wore/tested most often: Serge Lutens, Chanel and Tom Ford;

* Most popular notes (only from perfumes I chose to wear, not those that I tested for the first time): top – (not counting bergamot) rose, galbanum and mandarin; middle – (since rose and jasmine keep that position unchallenged I include the next notes in the list) ylang ylang and iris; base – vanilla, sandalwood, musk and patchouli.

* Total number of different notes in all perfumes I wore/tested this month:  176 (-49).

 

Is December (holiday season) different in any way when it comes to building your collection? Do you buy more as a gift to yourself? Do you buy less to slow down at least in the last month of the year?

Image: my own

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WTD, Episode 4.3: Noir de Noir, Oud Wood and Arabian Wood by Tom Ford

Dark roseNoir de Noir by Tom Ford – created in 2007 as a part of the original Private Blend collection, notes include saffron, rose, black truffle, floral notes, patchouli, vanilla, agarwood and moss. I cannot make up my mind about Noir de Noir: once when I tested it I liked the opening rose darkened by agarwood and on two other occasions I got overwhelmed by this rose-agarwood combination. I thought that I didn’t like agarwood itself but after testing Oud Wood I realized that it’s not just pure agarwood that I don’t like but it’s a combination with some sweeter flower note. I tried really hard to find a “black truffle” note in Noir de Noir. For a change I know exactly how it smells because I use black truffle salt in cooking. I kept sniffing my wrist during the day and couldn’t say I smelled it. It was only when I got home and smelled my salt for the comparison that I finally noticed something that reminded me of black truffle in the perfume. Noir de Noir is nicer on my skin in the drydown phase. Longevity is shorter than some other Tom Ford’s scents (4 hours and after that just some residual smell on the skin). All in all I should say that with Noir de Noir my wallet is safe with this one. But if you have a chance please give it a try.

For real review read The Non-Blond.

Oud Wood by Tom Ford – created in 2007 as a part of the original Private Blend collection, notes include pepper, cardamom, rosewood, agarwood, sandalwood, vetiver, tonka bean, vanilla and amber. It’s much dryer than Noir de Noir but I’m not sure it’s more masculine (I understand that gender in perfumes is a relative category so I’m talking just based on the official designation). I like Oud Wood’s drydown phase and wouldn’t mind wearing it if I could skip right to it. But since I can’t I’ll use my sample and stop there.

For real review of Oud Wood read Now Smell This.

Arabian Wood by Tom Ford – added to the Private Blend collection in 2009, notes include galbanum, bergamot, lavender, freesia, orange blossom, Bulgarian rose, honey, ylang-ylang, jasmine, may rose,  rose absolute, gardenia, tonka bean, patchouli, sandalwood, moss and cedar. Arabian Wood starts creamy, develops with sweeter undertone but it feels transparent rather than resinous. Through many hours in stays still very smooth and attractive on my skin. Arabian Wood reminds me of polished wooden balls (the feeling of touching those). You must be familiar with the feeling: you try a perfume for the first time and start contemplating how to get more of it even before your sample is gone. That was the case with Arabian Wood for me: I found myself bidding on a test bottle of this perfume before the last traces of it disappeared from my skin. I didn’t win it and decided it was a sign that I should go my regular route: finish the sample first, then think if I need a decant or a FB. I still have half of the sample left and I still like Arabian Wood and want it in my collection.

For the real review read EauMG.

I like this brand and I will keep testing more perfumes from the line but this post concludes my weeklong test drive of Tom Ford’s perfumes.

Do you own any perfume from the Private Blend collection?

See all episodes:
Weeklong Test Drives, Season 4: Tom Ford
WTD, Episode 4.1: Neroli Portofino and Jasmine Rouge by Tom Ford
WTD, Episode 4.2: In the Search for the Perfect Violet

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WTD, Episode 4.2: In the Search for the Perfect Violet

If I look back and think about it, I always had two distinct associations for violets. They co-existed in my mind as if they belonged to the completely different subjects, not affecting each other.  A violet is a completely boring, slightly wilted small flower in the pot on a window sill. A violet is a tender flower somehow related to romantic love, Paris (street flower girls), Toulouse (violettes de Toulouse) and all such things that seem romantic when you’re young. But somehow neither of these two associations ever included a smell. I never thought of violets as of flowers that have a scent. Most likely, because the only variety I’ve ever been close to didn’t have any. So in this quest for the perfect violet perfume I’m not searching for the most realistic rendition of a violet since I still have no idea how that flower smells. I’m looking for the best implementation of the idea of a violet. Based on a commonality in all the violet perfumes I tested I reconstructed this note for myself.

Violets in a pot

As I did it before for lilac and linden I combine this episode of the Weeklong Test Drive (it features two Tom Ford’s violet-centered perfumes) with my periodic Single Note Exploration for the violet note in perfumes.

Blanc Violette by Histoires de Parfums – notes include violet, bergamot, iris, ylang-ylang, star anise, sandalwood, vanilla, musk and rice powder. It smells very clean and slightly powdery. There is some musk that feels too much from time to time but I do not smell it every time. Blanc Violette is an uncomplicated nice scent with medium sillage and tenacity (it stays on my skin for 3-4 hours). I can see a small bottle of this perfume in my collection after I’m done with the sample. I have to applaud Histoires de Parfumes for releasing small bottles (14 ml) for a reasonable price. For a real review of Blanc Violette read Eiderdown Press

Verte Violette by L’Artisan Parfumeur  – created in 2000 by Anne Flipo, notes include violet leaves, raspberry leaves, rose, heliotrope, cedar, iris, white musk. It’s fresh, very light, bright and happy fragrance with a nice violet note that starts a little dirty but then clears up and stays as a nice skin scent. Verte Violette is the easiest and lightest scent out of all I tried. Like many other L’Artisan’s perfumes it’s fleeting: I can barely smell it after an hour. I like Verte Violette but I think it’s too expensive to bathe in it. So, unless a bottle falls from the sky… For a real review read Now Smell This.

Violet Blonde by Tom Ford  – created in 2011, notes include violet leaf, Italian mandarin, pink pepper,  Tuscan iris absolute, Tuscan orris butter, Sambac jasmine, sampaquita, musk, suede, cedar, vetiver and benzoin. There is no personal story between me and Violet Blonde, everything happened very fast: I knew about the upcoming release, I went to the store, tried Violet Blond, liked it and jumped on a split as soon as I saw one. I enjoy wearing it. Violet Blond has a very good longevity – more than 8 hours on my skin. Had the juice (or at least a bottle) been purple, it would have been an immediate full bottle purchase. Now I plan to go through my small decant and if I still like it I’ll buy a bottle of Violet Blond for my collection. All the great reviews for Violet Blond that I read, I read after I made up my mind about this perfume (and I feel a little proud of myself because of that) but since they all are so recent I’ll skip even my “not-a-review” impressions part and just provide links to the reviews on friendly blogs: Olfactoria’s Travels, The Candy Perfume Boy, Bonkers About Perfumes.

Wood Violet by Sonoma Scent Studio – created in 2008 by Laurie Erickson, notes include violet, plum, cedar, cinnamon, clove, sandalwood, violet leaf and musk. I tried Wood Violet for the first time in winter (our Northern California winter, but still). I liked what I identified for myself as a “violet” component of the perfume in the opening and then in the dry down phases but in the middle something smelled too… dirty (?) and unpleasant. I put the sample aside for a while. One sunny warm day I decided to give Wood Violet another try; and this time the earthy smell felt right in place: it was a scent of spring. For a very short time in the beginning I smell some sweetness but then it goes away and the scent stays on my skin green and woodsy for the next 3-4 hours. Wood Violet is quiet and powerful at the same time. I do not need a full bottle of this perfume but a nice purse spray one day will find its way into my collection.

Violet Angel by Thierry Mugler – created in 2005 by Francoise Caron, notes include violet leaves, crystallized sugar, violet, woody note, patchouli and vanilla. Violet Angel smells as if original Angel ate a whole garden of violets. Wait… If I remember it correctly, it did eat the whole garden of different flowers – roses, peonies, violets and lilies. But let’s look just at this act of gluttony. Violet Angel is slightly less sweet than the original perfume, it has some woodsy note and, if you concentrate very hard or have another violet perfume for the reference on, let’s say, another wrist, you can smell some violets, sugared violets. But Angel’s signature caramel (in case of Angel Violet it’s called crystallized sugar – which is the same thing)-patchouli-vanilla is too prominent and too recognizable. I haven’t tried other flowers yet but, in my mind, violets are the least suited to be an Angel modifier. It isn’t different or special enough for either Angel fans or Angel haters. I’ll stick to my beloved Angel EdP.

Black Violet by Tom Ford – created in 2007 as a part of the original Private Blend collection, notes include bergamot, citruses, fruity notes, violet, oakmoss and woodsy notes. It opens a citrus scent blended into sweet fruity notes, then almost immediately citrus goes away leaving slightly dryer but still sweet enough floral scent with a nice wood note. For me Black Violet is not a transparent scent, it has substance. I think “dark” part suits it well (though I remember reading the opposite opinion from other reviewers). I like Black Violet it the most 2-3 hours into wearing. It lasts for 12+ hours on the skin. In the final phase (and only there) it smells similar to Violet Blonde.  I want to add Black Violet to my collection but, the same as Ines from All I am – a redhead, who recently reviewed Black Violet, I’m not ready to pay the price of a 50 ml bottle (and I do not need a bigger bottle – which would make price per ml much more tolerable). So if anybody comes across a friendly split of this perfume, please let me know.

Do you have a favorite violet perfume? If you’ve reviewed it on your blog, please share a link.

See all episodes:
Weeklong Test Drives, Season 4: Tom Ford
WTD, Episode 4.1: Neroli Portofino and Jasmine Rouge by Tom Ford
WTD, Episode 4.3: Noir de Noir, Oud Wood and Arabian Wood by Tom Ford