A Magical Greenery Tour

Hello friends!

I have had a very exciting week: after my post, in which I talked about how green and I don’t always get along in perfume, Portia sent me 11 numbered samples of some of his favourite greens. I tested two a day and journaled my immediate feelings and impressions. When I began, I had no intention of trying to guess what they were, but the allure of numbered mystery vials was too much for my brain. Often an immediate association came to mind, whether fragrance or house. Some might find this useful, and though none of my speculations were correct, I think you could take them as “in the style of” recommendations.

And now, to the perfumes!

 

Green Samples

 

Green No. 1

A lovely melon note under fresh green spiciness. Ma Griffe? Something of that era. Very gentle, reminds me of humid spring day. And I love humidity.

Peau d’Ailleurs by Starck (2016, Annick Menardo). I had never heard of this house, but I’m looking forward to wearing my sample again, as apparently it features geosmin heavily. Perhaps that was the humidity?

Green No. 2

While it begins light and crisp, the drydown is potent and long-lasting. Quite stiff and proper though sweet. Too high pitched for me, but a crowd pleaser, I suspect. O de Lancome-esque.

Sampaquita by Ormonde Jayne (2004, Geza Schoen). Oh my! I have tried to like this so many times due to its name and being on sale rather often. I’ve always found Ormonde Jayne to be too proper for me, I like them, but I feel I cannot love them. And no, I don’t just like the wild ones, but my proper quota has been fulfilled by quite a few classics. I’d recommend Ormonde Jayne as a house to others, but it seems we are not to be.

Green No. 3

Sweet like a green apple. Fruity, galbanum on a pillow of musk. It reminds me of Fidji, or rather my image of Fidji, which I haven’t smelled in 15 years. Very charming and young, the youth of another era before the invention of fruitchoulis.

A Scent by Issey Miyake (2009, Daphne Bugey). I remember trying this when it came out as the bottle was so appealingly minimalist. I liked it, but having little interest in greens or fresh at that point (I was deep into gothic orientals) a quick spray was as far as we went. Now I’m thinking this is a fun one to keep an eye out for, if it is still around.

 

Greenery

 

Green No. 4

I feel this one is thoroughly modern and playing homage to vintage. There’s a definite touch of cumin in there under the mossy forest floor. I would like very much to wear this scent, it has many secret qualities that appeal to my imagination.

Eau de Gloire by Parfum d’Empire (2003, Marc-Antoine Corticchiato). And straight to the top of the want list this goes! I would like to carry Eau de Gloire in my purse, always at the ready to secretly bolster the day. This was one of two standout favourites during my magical greenery tour. I was so enthralled with it that I emailed Portia begging to know what it was, but he held out until I had sampled everything!

Green No. 5

Chanel No. 19?

Futur by Robert Piguet (1960, presumably reformulated since then; Aurelien Guichard). It was a little sweeter than No. 19, but if you’re a No 19 fan you might like to spend some time with this one to see if you also love it.

Green No. 6

A tart fuzzy green with a touch of heliotrope to begin with. I immediately thought “Zoologist”, though not one I’ve smelled. Strong black tea. Smoke. Absolutely charming and interesting, reminds me of a great reading experience. 6 is the stand-out for me, it’s just so drinkable and fine. It made me a little emotional, the play of tea and fruit and smoke.

Eau de Givenchy, vintage (1980, Daniel Moliere and Daniel Hoffman). This was my favourite of the whole collection. I absolutely loved it. Looking up reviews, there’s a lot of talk about “a perfect spring day” and no talk of tea and tartness. Perhaps trying things without reading about them first has a lot of merit. This one I tested for two days.

 

Greenery

 

Green No. 7

A vile and antiseptic concoction infiltrated by sweaty cumin. A sweetness develops. By the drydown, it’s quite rich and acceptable. Amouage?

#2 Spiritus/Land by Miller et Bertaux (2006). I had quite a visceral dislike for this, but by the drydown it had mellowed into a well thought out fragrance, but not something I enjoyed. I see it has teak in it, which may contribute to my antiseptic response. Amouage and I have a troubled relationship, but one factor that brought Amouage to mind with Spiritus/Land was the high quality of the ingredients.

Green No. 8

Oh my! I want to say Cristalle, or rather the fantasy of Cristalle that I had when I began my perfume journey. It’s luminous! It reminds me of a beautiful yellow wine. I’m wondering why I don’t have whatever this is in my collection!

Cœur de Vétiver Sacré by L’Artisan Parfumeur (2010, Karine Vinchon-Spehn). One of the few L’Artisans I have not tried and yet another reason to adore the early L’Artisans, full of quirky masterpieces. I will be tracking down this sadly discontinued wonder to join my L’Artisan beloveds. I am quite thrilled to have tried this beauty, since it has always been on my radar as a L’Artisan I had missed out on.

Green No. 9

Guerlain Vetiver?

Tzora by Anat Fritz (2012, Geza Schoen). Well, isn’t that interesting. I was very careful during our green tour to only test two a day and not confuse my nose. I wore nothing else. Being in lockdown helped, as there are no other scents in the air, and the mood and temperature plodded on at a steady sameness. I’ve tried Tzora before, and I own Guerlain Vetiver. I ended up testing both side by side. Other than Tzora being a little richer and missing that delicate nutmeg, they were so close I thought it was my imagination that they were even different scents.

Green No. 10

Minty. Camphor. Sugar. Heeley Esprit du Tiger? It’s lovely, I could bathe in it! It is sugared in the most delicate and lovely way.

Oriental Mint by Phaedon (2011, Pierre Guillaume). This features “resins”, which, I suspect, is where the tiger balm accord comes in. I think it’s better than the Esprit du Tiger, not as simple. A very fun scent! I could see this being a bottle I wore excessively for a summer.

Green No. 11

I have spent some hours thinking on what this reminds me of. Lovely lemon, very fresh and bright to begin with. It then magically develops into a delicious sherbet! It’s as if a gelato maker sniffed the orchard air and rushed to capture the wonderful citrus and springtime scent in a gelato. I think this is a Hermetica, it feels like Hermetica DNA.

Granville by Dior (2010, Francoise Demachy). Oh my, how fantastic this is. I hope you all are able to try Granville, especially if you love lemon. Vividly natural ingredients.

And so we end our magical greenery tour. Through the testing phase and the reveal, I’ve been inspired, besotted, perplexed and gobsmacked. It has been a very enjoyable journey during this time of no travel (one of perfume’s secret powers). Thank you, Portia, for your samples and your wonderful enthusiasm to share your loves.

 

Greenery

 

Images: samples (Narth), greenery (Undina)

In the Search for the Perfect Lilac, Take 2

 

It has been a long time since I published the first episode in which I shared my impressions of Pur Desir de Lilas by Yves Rocher, Lilac by ElizabethW, French Lilac by Pacifica, Lilacs & Heliotrope by Soivohle, Highland Lilac of Rochester, After My Own Heart by Ineke and En Passant by Frederic Malle. Since then I bought French Lilac by Pacifica – as I planned, still haven’t got Highland Lilac and tried more lilac perfumes.

Rusty And Lilacs

Purple Lilac by DSH Perfumes and White Lilac by DSH Perfumes. They both smell quite realistically: I could clearly picture each of the flowers; purple lilac – slightly wilted, with some green; white – brighter and fresher. I like White Lilac more but both do not seem like a finished perfume.

Lilac by Demeter (2009). It’s perfect for the price I paid (~$5 for 30 ml). I don’t think it’s a perfume for adults but it makes a nice room spray: it smells good but doesn’t stay long enough to become overwhelming.

Purple Lilac (Lilas Mauve) by Yves Rocher (Annick Menardo, 2012). Last year I jumped through some hoops to get it from the U.K. since it wasn’t available yet from the U.S. website. It smells of lilacs if you smell it alone but in comparison to other lilac scents it seems too artificial. I was so disappointed that I haven’t even compared it to the other Yves Rocher’s lilac I own – Pur Desir de Lilas.

After all the testing I realized that even though I still miss lilacs and still enjoy the smell of flowers (and my ideal lilacs bouquet has only lilacs in it) I do not want to wear it as a soliflore. I like the note in perfumes but I want it to be well-mixed with other flowers. I think at least partially it’s because now I know that there is no natural lilac, this note is either created artificially or recreated using other floral notes so a single-dimensional scent seems too simple. If I ever want just it Pacific’s perfume is more than enough (I urge you to try a roll-on if you haven’t tried it yet).

Rusty And Lilacs

I was really looking forward to trying Opardu by Puredistance (Annie Buzantian, 2012): if anybody, this brand could pull off this note in a beautiful composition… I can’t say I disliked Opardu: it was very pleasant and it did start with a burst of beautiful lilacs but it didn’t wow me. After the first disappointment wore off I tested Opardu again, this time with a better response – that’s how it usually happens to me. Now I plan to try it sprayed since I suspect it might wear differently this way.

Rue des Lilas by Phaedon (Pierre Guillaume, 2011) just happened upon me. I heard something about it and spontaneously decided to buy a small decant from a split. I was pleasantly surprised by the perfume: it’s an interesting composition of wood and my two favorite nonexistent (for the perfumery purposes) flowers – lilac and lily-of-the-valley. Unlike Demeter’s or Yves Rocher’s lilac perfumes Rue des Lilas is a lilac perfume for grown-ups. My problem with this perfume is that I dislike the bottle: it reminds me of functional products. So if I decide to get more after I use up my decant I might go for the next decant.

White Lilac & Rhubarb by Jo Malone (Christine Nagel, 2012) was a strong like from the first sniff. Since it was a limited edition I had to decide quickly… I enjoy wearing it in hot weather. It’s more than just a lilac perfume: rhubarb and heliotrope add complexity and sweetness to the bouquet. I know that there is supposed to be rose in it but I can’t smell it at all (which isn’t necessarily a bad thing since Jo Malone’s Red Roses turns awfully soapy on my skin). With White Lilac & Rhubarb I had one of those moments when you keep turning your head trying to figure out from where that great scent comes only to realize that it’s coming from you. I like this perfume but still can’t imagine that anbody in her right mind would pay the price currently asked for it! And it’s not even a question of how good the perfume is: it was out there for such a short period of time that I don’t know how anybody could have developed such a deep connection to it to spend $300-$500 on a 100 ml bottle. 

Rusty and Jo Malone White Lilac & Rhubarb

Do you have a favorite lilac perfume?

 

Images: my own