L’Artisan Parfumeur

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N Niche Perfume Brands You Need to Know Right Now

 

Don’t ask me how but a couple of months ago I came across the article 20 Niche Perfume Brands You Need to Know Right Now. As it usually happens, while reading somebody else’s list of anything on a subject you’re interested in, I agreed with some of the choices, disagreed with others and thought of additional nominees. And then I started working on my list and realized that 20 were too many. Not because I can’t easily come up with at least three times as many brands but because even at 20 one starts including brands that are just personal favorites, do not exactly fit the definition or those that are so tiny that position on the list is too big for them.

So I decided to come up with my personal list of five brands. In my selection process I used the following considerations:

  1. The brand should be a true stand-alone brand, not a private/limited/boutique line of a big brand (so not Guerlain, Chanel, Dior or Hermes) or a spin-off under a bigger parent’s umbrella (Tom Ford and Jo Malone are out too).
  2. The brand should have enough perfumes in their range to potentially work for different people (so as much as I love Neela Vermeire Creations or respect vero profumo and Puredistance, these lines are too young to get a spot in the short “must” list).
  3. Brands should be available for testing (directly or through online services) both in the U.S. and Europe (so no tiny artisan brands for this list).

Five Brands

My list of Five Niche Brands You Need to Know (with a brief description of why – not for my regular readers but for future visitors who find my blog through some unexpected searches, e.g. “lily of the valley+cat”):

Serge Lutens (http://www.sergelutens.com/) is probably the ultimate niche perfume brand. It’s bold, unconventional but at the same time still perfumes that you want to wear and not just test, analyze and review. Kafka (Kafkaesque) covered the topic of Serge Lutens – both a persona and a brand – extensively and I urge you to read Part I and Part II of her story.

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Amouage (http://www.amouage.com/) is an epitome of opulence, luxury and quality. These rich and mostly classic perfumes won’t suit everybody in the modern sheer-smelling world but the brand is worth knowing even just for educational purposes to see how perfumes can be anti-minimalistic and not transparent. Watch four short videos on now smell this in which Christopher Chong, creative director of Amouage, talks about perfume and the brand.

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Editions de Parfums Frederic Malle (http://www.fredericmalle.com/) is the first brand ever to put a perfumer’s name on a bottle. In the world in which a scent IP doesn’t exist it was a huge step towards promoting a creator, an artist and not a money purse. Read Natalie’s (Another Perfume Blog) interview with Frédéric Malle. (UPD: APB is closed now)

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L’Artisan Parfumeur‘s (http://www.artisanparfumeur.com) perfumes might be not the most innovative (though over years they’ve created some very unusual perfumes) but very wearable, so it is a perfect starter house for anybody who wants to venture from the mainstream perfume market into the niche one. Read Luca Turin’s L’Artisan Parfumeur 30 years later for the tidbits of the house’s history.

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Ormonde Jayne (http://www.ormondejayne.com/) has a whole line-up of very likable and distinct perfumes at reasonable (for modern niche market) prices. Ormonde Jayne’s perfumes smell modern and classic at the same time. Read a very warm and personable interview with Linda Pilkington by Sigrun (Riktig Parfym) and a recent Andrew Buck’s (Scentrist) chat with her for more information about the brand.

 

So these are my choices of the “need to know” niche perfume brands. Give me your five choices. Do not try to purposefully complement my list: if you agree with all or some of my choices – say so; but feel free to change any or even all brands if you have a different answer to my the question. I’ll try to do something with all the answers for my January statistics post.

 

Image: my own

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Entertaining Statistics: September 2013

 

After a cool summer September arrived warm and very pleasant. And to make it even better I spent the last week of it in Hawaii.

I was so looking forward to that vacation that soon after I booked our flight and rented a house I started playing that choosing game in my mind: what perfume should I take with me? I ended up taking with me 12 (twelve) perfumes. And even though some of them were samples I didn’t take any unknown perfumes just for testing: all of them were to wear.

Black Vetyver Café by Jo Malone I chose as our shared travel perfume for this trip. Partially it was because I suddenly got tired of the scent that we used on many previous trips (Voyage d’Hermes) but mostly because after reading about it being discontinued I wanted to figure out if I should buy a bottle of it before it completely disappears. I do not love it but I like it enough not to let go just yet.

My travel companions from the previous Hawaii vacation – Estee Lauder Bronze Goddess, Ormonde Jayne Tiare and Frangipani had joined me again. So after recently relegated Voyage d’Hermes these three are the best-traveled perfumes in my collection. I still enjoyed Bronze Goddess whereas my reaction to Frangipani and Tiare switched places: I enjoyed the former very much and was surprised that the latter felt somehow off.

Perfumes for a Tropical Vacation

Other perfumes that kept me company on that humid tropical island were: L’Artisan Parfumeur Traversee du Bosphore, Byredo Pulp (I need to get a decant of this one), Yosh Ginger Ciao (Birgit, thank you for the idea), Jo Malone English Pear & Freesia, Neela Vermeire Creations Bombay Bling!, By Kilian Forbidden Games, Atelier Cologne Orange Sanguine and M.Micallef Royal Vintage. The last two were for my vSO but the others nine were all for me. Good thing about hot humid weather and swimming was that I could easily wear 3-4 perfumes in one day.

All the perfumes I brought were just perfect for the vacation though, completely unexpectedly, Bombay Bling! wasn’t a fan of that climate: it would disappear from my skin within an hour after the application. It has never happened before in cooler Californian weather. It made me curious how it would behave in, let’s say, Bombay. Any upcoming trips? Anybody?

Since my vacation was filled with fruits – both in perfumes and in my diet, I got curious which fruits my readers like the most. Here’re the results:

Nineteen (19) people answered my questions naming seventeen (17) of their favorite fruits to eat (13) and to smell (8) in a perfume form. I decided to be strict and if more than one fruit was mentioned I took just the first answer.

September 2013 Statistics

Mango was an absolute favorite with eleven (11) votes (six (6) for eating it and five (5) for smelling). Black currant took the second place with five (5) votes and fig got four (4) votes but both were named only as perfume notes. Mangosteen, peach and cherry got two (2) votes each (one in each category). And raspberry got two (2) votes but both in food designation. All other fruits – durian, loquat, olallieberries, papaya, mandarin, grapefruit, banana, pomeo, plum and grapes – were mentioned just once.

Even though I had so many perfumes with me after I came back I kept thinking: “I wish I thought of taking <…> as well” about different perfumes. If you were to recommend one more perfume for me to take on a tropical vacation which one would it be?

 

Images: my own

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Does the size… (strike that) bottle matter? Yep!

 

A while ago Monday Question on Olfactoria’s Travels was: How Important Is The Perfume Bottle To You?

Out of 38 respondents 25 (66%) said bottles were very important for the enjoyment of a perfume; 7 (18%) didn’t care for bottles much and 6 (16%) put bottles into the “nice to have but not crucial” category.

I’ve added my voice to the “bottles, please” crowd but my position is a little quirkier; so even though this post covers a slightly different topic I want to reiterate the answer from my comment there.

If I’m in love with a perfume I want to own a bottle of it. And it has to be a real bottle, with a cap and a box: a tester or a refill bottle won’t satisfy my need for a full aesthetic experience. I have no problems with partial bottles though.

When it comes to the perfumes that I just like I’m attracted to unique bottles. And if a brand has standard bottles (Chanel Les Exclusifs, Dior La Collection, Frederic Malle Editions de Parfums, Ormonde Jayne, Guerlain L’Art et La Matière, etc.) owning just one bottle from the line seems to lull the cravings and I feel content with just decants of the other perfumes from that line.

Chanel Cuir de Russie

In the same post Birgit referred to her earlier post about the purchase one of the reasons for which was the beauty of the bottle: So I saw this bottle […] and knew I wanted it for its beauty alone. That it holds an exquisite scent is only the cherry on top and something that makes me happy, but unexpectedly so, because all I knew about 24 Faubourg before I laid hands on my precious Quadrige Edition was from one spray on the back of my hand right there in the store.

I went even further: recently I bought several perfumes… just because of the packaging.

Last July at the First Artisan Salon in San Francisco I saw new packaging for Ineke‘s Floral Curiosities line for Anthropologie and thought it was great. When I initially tested perfumes from the line they were fine but I didn’t love any of them enough to go for a full bottle. But these travel sprays disguised as poetry books were just calling my name. Also since I keep saying that companies should be releasing more perfumes in small bottles I felt like I just had to buy these… So I bought all four: Scarlet Larkspur, Poet’s Jasmine, Sweet William and Angel’s Trumpet.

Ineke Floral Curiosities Travel Bottles

I’ve tested Premier Figuier Extrême by L’Artisan Parfumeur before and thought it was nice but there are several other fig perfumes in my collection and I already have one bottle from L’Artisan Parfumeur line (though those colored labels add some appeal to otherwise similar bottles). Then I came across a special edition bottle… and just couldn’t resist. I will gladly wear Premier Figuier, I like this perfume and think it’ll make a very pleasant office scent. But I do not think I would have bought it any time soon if it hadn’t been for that gorgeous bottle.

Rusty And L'Artisan Premier Figuier

There are several more bottles on my “to buy” list but I think for now I’ve scratched that itch… unless you know where I can buy L’Artisan’s Mure et Musc Extreme in the blackberry-shaped bottle.

4 people from the survey mentioned above also confessed to buying perfumes just for the bottle.

Have you ever bought a perfume just because of the packaging?

 

Images: my own

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In the Search for the Perfect Leather

 

It was one of the first cool days of the last fall. We were driving home after a pleasant evening at our friends’ house. I kept sniffing the air thinking to myself: I haven’t noticed before that my leather jacket smells that nice… Too nice… What’s going on?

That’s when I realized that the smell was coming from a blotter sticking out of the vent grid where I affixed it several hours earlier.

 

Tom Ford Tuscan Leather

 

That evening before going to the party I stopped by Neiman Marcus to sniff several perfumes. I didn’t want to put anything on my skin to avoid arriving to the party smelling like a perfume counter. So after sniffing from a blotter Tom Ford’s Tuscan Leather (I missed it somehow in my previous tests) and talking for a while to the SA I asked him: “How does it develop on the skin?” thinking of asking next to make me a sample. In response he silently took a fresh blotter, sprayed it with Tuscan Leather and handed it to me… I was so amused that all I could do was to thank him and leave.

I think that Tuscan Leather is a gorgeous masculine fragrance. Can a woman pull it off? Of course! I would have worn it myself if I haven’t had somebody else to put it on. My vSO likes it so I’ll use a decant I have on him. And then I’ll want more.

I like leather perfumes but do not own too many of them. Cuir Ottoman by Parfum d’Empire – a bottle that I bought for my vSO (he likes it a lot) but he doesn’t mind sharing.

The only full bottle of a “leather” perfume that I have for myself is Cuir de Russie by Chanel. It’s such an elegant perfume!

 

Chanel Cuir De Russie PdE Cuir Ottoman

 

Tabac Aurea  by Sonoma Scent Studio doesn’t smell too much of leather but it’s a very pleasant dry woodsy scent that works well on my skin in cooler weather. Once I’m done with my 2.5 ml spray bottle I’ll probably get a purse spray.

Boxeuses by Serge Lutens – one of my Bikram yoga favorites and recently I discovered that I liked it as a sleep scent as well. I haven’t tried wearing Boxeuses sprayed but once my roll-on sample is empty I’ll want a decant of this strange and interesting perfume.

Another Serge Lutens’ leather perfume, of which I have a decant already, Cuir Mauresque unfortunately doesn’t work for me. I tried to wear it several times and still no. It smells harsh, dirty and somewhat unpleasant on me.

I reviewed Scent No.16 Tomato Leather by Cognoscenti a couple of months ago (You say ‘Tomato’, I say ‘Leather’). I still like it but I’ll wait for Cognoscenti to release their perfumes in a smaller bottle.

I didn’t like Traversee du Bosphore by L’Artisan Parfumeur when I first tried it but it grew on me. It wears nicely in warm weather and one day it might join my collection.

Another perfume I wasn’t a fan of initially – Bottega Veneta. Last year when everybody praised it I just shrugged my shoulders. What changed my mind was me testing recently Cuir Amethyste by Giorgio Armani. It started harsh and too leather-y to my taste but then mellowed down to a very smooth and buttery suede accord that reminded me of Bottega Veneta. I thought I found another smell-alike for my Déjà vu series but while I was trying to compare notes (there are just two in common among declared) I found out that the same nose, Michel Almairac, was behind both. I’ll see if I need more of Bottega Veneta Parfum once my mini bottle is gone.

Cuir de Lancome by Lancome – everybody seems to love this one. I want to like it but I’m not sure if I do. Sometimes I think that maybe my sample is off.  Nevertheless, I want this bottle in my collection – not that there was any logic in that.

 

Leather Perfumes Samples

 

Other perfumes with prominent leather that I’ve tried and liked: Cuir Beluga by Guerlain (it’s growing on me, I want to get a decant to test more), Cuirelle by Ramon Monegal (starts a little too sweet but develops nicely; needs more testing preferably from a spray bottle), Napa Noir by Six Scents (I had a tiny, one application sample, but I liked what I smelled), Lonestar Memories by Tauer Perfumes (have to get a new sample since the one I have become too concentrated as a result of evaporation) and Vanille Cuir by M.Micallef (something appeals to me in this fragrance; I’ll keep testing it and see if I want to werat it).

Perfumes that didn’t work for me: Leather Oud by Dior (it’s nice on my vSO but a little too much on me), Songe d’un Bois d’été by Guerlain (it’s too harsh on my skin; I find something pleasant two-three hours into the development but I won’t wait for that long to enjoy my perfume), Mon Cuir by Ramon Monegal (a strange combination of leather and what I think of as a traditional men cologne) and Kelly Calèche by Hermès (I can smell no leather at all. Do I have a wrong sample?)

What is your favorite leather perfume?

 

Images: my own.

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In the Search for the Perfect Linden, Take 2

 

I’m not much of a spontaneous person, if you haven’t noticed yet. I try to plan most things in my life. It gives me the feeling of comfort and control. But, as with many other things we crave because we do not have them – straight/curly hair, lighter/darker skin, etc., from time to time I wish I would do something on an impulse, without going through every detail in my head first.

My vSO is even less spur-of-the-moment man. So when a couple of weekends ago he told me: “Let’s go to Santa Cruz mountain wineries!” in less than an hour we were on our way there.

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I just couldn’t pass by a small boutique named Scentsations# – a tiny soap and cosmetics shop. An older gentleman, most likely an owner, peeked over the newspaper he was reading to greet me. A usual small shop small talk (as I keep sniffing different soaps):

– It’s a nice day. What are you doing today?
– Yeah, it is. We’re here for the wine tasting.
– Are you even old enough to drink?
– (I laugh: I know I’m old enough to have a kid of a drinking age but since he’s old enough to be my father I do not feel bad about his obvious flattery) Thank you, I appreciate it.
– Where are you from?
– (my habitual answer to such questions) I live in the Bay Area, my accent is from…
– I thought so. You should try this one…

He hands me a bar of soap. It is tender green and smells of linden. On the paper wrap it says “Tilleul” and “Made in France”. How could I not buy it?

Linden Soap And Rusty

In my last year post I told the story behind my affection towards linden blossom and reviewed briefly perfumes that I tried while looking for the perfect linden-centric perfume: French Lime Blossom by Jo Malone, Linden by Demeter, Tilleul by Provence Sante and Zeta by Tauer Perfumes. I didn’t find the perfect perfume then so I kept looking.

Waltz No. 14 by Tokyo Milk – notes include linden, honeyed rose, wisteria petals and white musk. To my nose it’s a bitter green scent. I can smell what is supposed to be a linden note (it’s not a bad representation of linden if smelled alone without comparing to other takes on the same scent). I do not smell rose in Waltz – honeyed or otherwise. It’s nice and crisp on my skin for the first 10-15 minutes but then gets a little soapy for a while. Like most Tokyo Milk’s perfumes that I tried it doesn’t stay for too long. The sample sent me by Victoria of EauMG (thank you!) will stay in my scents library. Read her real review for Waltz.

Tilleuls au Vent by L’Artisan Parfumeur isn’t really a perfume, it’s a room spray but it usually doesn’t stop a real perfumista in the search for a perfect scent (thank you to Vanessa of Bonkers about Perfume for sending me this sample). What can I say? It’s a room spray. Tilleuls au Vent is a very pleasant scent but it’s too single-dimensional and lacks depth.

La chasse aux Papillons by L’Artisan Parfumeur – created by Anne Flipo in 1999, notes include linden blossom, lemon tree blossom, orange blossom, jasmine and tuberose. I tested it for several times and even though I couldn’t smell too much linden in it, I enjoyed the scent. And then I read Victoria’s (EauMG) review for La chasse aux Papillons and now I cannot help smelling in it tuberose to which I didn’t pay attention before. I do not like tuberose and now it haunts me in this perfume. I’ll try to test it again in a while but for now a sample in my scent library is all I need.

Linden Soap And Rusty

Unter den Linden by April Aromatics – created by Tanja Bochnig in 2012, notes include linden blossom, mimosa, frangipani, honey extract, bergamot and gardenia. I haven’t heard about this brand until I read Asali’s (All I am – a redhead) beautiful review for Unter den Linden. Asali was very generous and sent me a sample. I’m very grateful to her but I’m not sure if I’m glad that I’ve got to try it. It’s a very pretty perfume and I take back my original impression that Unter den Linden smelled like a more lemon-y version on one of my favorites Jo Malone’s French Lime Blossom. Unter den Linden is lighter, more refined and blended more seamlessly than French Lime Blossom (I still like the latter though). What makes me unhappy is the price: however beautiful, this perfume isn’t unique enough or using really expensive and rare ingredients to justify to me $7/ml price for EdP. But if it weren’t for that I’d love to add a bottle of Unter den Linden to my collection. I still might.

Honey Blossom by Aftelier Perfumes – created by Mandy Aftel in 2010, notes include linden blossom, orange blossom, ambergris and benzoin. It is not a linden perfume. For my nose it’s a very sweet honeyed floral bouquet, warm and soothing scent. I like smelling it from my wrist but I do not want to wear it as a perfume. It makes a perfect sleep scent for me though. So once my small parfum sample that I’ve got from Mandy via Natalie (Another Perfume Blog) – thank you both – is gone I’ll probably buy the next one. For a real review read Victoria’s (Bois de Jasmin) Aftelier Honey Blossom : Natural Fragrance Review.

Ma Plus Belle Histoire d’Amour by DSH Perfumes – created by Dawn Spencer Hurwitz in 2012 for the YSL Retrospective Collection, notes include bergamot, lemon, ozone, Bulgarian rose absolute, Dossinia orchid, French linden blossom (accord), honeysuckle, linden blossom absolute, lily of the valley, sambac jasmine, wisteria, ylang ylang, Australian sandalwood, civet, East Indian patchouli, musk and vanilla. This perfume got me by surprise: it was the last perfume in the collection and I didn’t expect it to be a linden scent. I like it. Will Ma Plus Belle Histoire d’Amour become a full bottle in my collection once I’m done with the sample sent to me by Dawn (thank you!)? I don’t know yet.

Linden Soap And Rusty

I still can’t say that I found the perfect linden perfume but I will suspend my search until I get a chance to smell a real blossoming linden tree to re-acquaint myself with the aroma of my youth. On my recent trip to Baltimore I saw those pre-bloom linden trees and almost cried – two more weeks and I could have smelled something I hadn’t smelled in 15 years. Maybe next year…

If you are looking for a linden-centric perfume definitely give a try to Unter den Linden and Ma Plus Belle Histoire d’Amour and judge for yourself. You might just fall in love.

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# Address for Scentsations: 402 Ingalls Street, Santa Cruz, CA 95060, (831) 423-8900

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Images: my own

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Entertaining Statistics: April, 2012

 

I’m so late with April’s statistics that I almost forgot what the month was like. I think it was good though.

I’m still keeping up with my New Year Resolutions but I’m one bottle closer to the self-imposed limit. I just couldn’t resist! I liked Jo Malone’s White Lilac & Rhubarb and didn’t want this limited edition bottle to slip away as those limited editions have a habit of doing. I wish I could have all three bottles from this release in 30 ml bottles but for a reason unknown Jo Malone decided to have only 100 ml bottles for this collection. So if anybody wants a small decant of White Lilac & Rhubarb at cost send me an e-mail.

This month I decided to check if my reaction to perfumes I test depends on the application method. There is nothing scientific about the results since it wasn’t my choice to spray or to dab: I used whatever sample I had. But based on this anecdotal evidence the application method doesn’t affect whether I like the perfume or not (see the chart).

Stats April 2012

Quick April stats:

Numbers in parenthesis are comparison to the previous month’s numbers.

* Different perfumes worn1: 26 (-1) from 18 (+2) brands on 30 (+1) occasions;

* Favorite perfumes worn: 21 (0) on 23 (0) occasions;

* Different perfumes tested2: 50 (+2) from 27 (-6) brands on 57 (-1) occasions;

* Perfumes I tried for the first time: 32 (+7);

* Perfume house I wore most often: Dior;

* Perfume house I tested the most: Guerlain (third month in a row: it looks like once started I cannot stop);

* Most popular notes (only from perfumes I chose to wear) are almost the same as in March: top – (not counting bergamot) lemon and pepper; middle – (not counting rose and jasmine) iris root and ylang ylang; base – vanilla, musk and sandalwood;

* Perfumes I tried for the first time and liked a lot (went to my wish list): Indochine by Parfumerie Generale, La Femme Bleue by Giorgio Armani and Dzing! by L’Artisan Parfumeur.

 

Have you found any new favorites recently? 

 

1 For the testing I apply a perfume to one area on my arms easily available for the repetitive sniffing. But, most likely, I’m the only one who can smell it. I can test two, sometimes even more perfumes at the same time.

2 When I wear a perfume I apply it to at least three-four points and usually I plan to spend at least 4-8 hours with the same scent so I’m prepared to re-apply if the original application wears off.

 

Image: my own (I wish I could draw!)

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WTD, Episode 4.2: In the Search for the Perfect Violet

If I look back and think about it, I always had two distinct associations for violets. They co-existed in my mind as if they belonged to the completely different subjects, not affecting each other.  A violet is a completely boring, slightly wilted small flower in the pot on a window sill. A violet is a tender flower somehow related to romantic love, Paris (street flower girls), Toulouse (violettes de Toulouse) and all such things that seem romantic when you’re young. But somehow neither of these two associations ever included a smell. I never thought of violets as of flowers that have a scent. Most likely, because the only variety I’ve ever been close to didn’t have any. So in this quest for the perfect violet perfume I’m not searching for the most realistic rendition of a violet since I still have no idea how that flower smells. I’m looking for the best implementation of the idea of a violet. Based on a commonality in all the violet perfumes I tested I reconstructed this note for myself.

Violets in a pot

As I did it before for lilac and linden I combine this episode of the Weeklong Test Drive (it features two Tom Ford’s violet-centered perfumes) with my periodic Single Note Exploration for the violet note in perfumes.

Blanc Violette by Histoires de Parfums – notes include violet, bergamot, iris, ylang-ylang, star anise, sandalwood, vanilla, musk and rice powder. It smells very clean and slightly powdery. There is some musk that feels too much from time to time but I do not smell it every time. Blanc Violette is an uncomplicated nice scent with medium sillage and tenacity (it stays on my skin for 3-4 hours). I can see a small bottle of this perfume in my collection after I’m done with the sample. I have to applaud Histoires de Parfumes for releasing small bottles (14 ml) for a reasonable price. For a real review of Blanc Violette read Eiderdown Press

Verte Violette by L’Artisan Parfumeur  – created in 2000 by Anne Flipo, notes include violet leaves, raspberry leaves, rose, heliotrope, cedar, iris, white musk. It’s fresh, very light, bright and happy fragrance with a nice violet note that starts a little dirty but then clears up and stays as a nice skin scent. Verte Violette is the easiest and lightest scent out of all I tried. Like many other L’Artisan’s perfumes it’s fleeting: I can barely smell it after an hour. I like Verte Violette but I think it’s too expensive to bathe in it. So, unless a bottle falls from the sky… For a real review read Now Smell This.

Violet Blonde by Tom Ford  – created in 2011, notes include violet leaf, Italian mandarin, pink pepper,  Tuscan iris absolute, Tuscan orris butter, Sambac jasmine, sampaquita, musk, suede, cedar, vetiver and benzoin. There is no personal story between me and Violet Blonde, everything happened very fast: I knew about the upcoming release, I went to the store, tried Violet Blond, liked it and jumped on a split as soon as I saw one. I enjoy wearing it. Violet Blond has a very good longevity – more than 8 hours on my skin. Had the juice (or at least a bottle) been purple, it would have been an immediate full bottle purchase. Now I plan to go through my small decant and if I still like it I’ll buy a bottle of Violet Blond for my collection. All the great reviews for Violet Blond that I read, I read after I made up my mind about this perfume (and I feel a little proud of myself because of that) but since they all are so recent I’ll skip even my “not-a-review” impressions part and just provide links to the reviews on friendly blogs: Olfactoria’s Travels, The Candy Perfume Boy, Bonkers About Perfumes.

Wood Violet by Sonoma Scent Studio – created in 2008 by Laurie Erickson, notes include violet, plum, cedar, cinnamon, clove, sandalwood, violet leaf and musk. I tried Wood Violet for the first time in winter (our Northern California winter, but still). I liked what I identified for myself as a “violet” component of the perfume in the opening and then in the dry down phases but in the middle something smelled too… dirty (?) and unpleasant. I put the sample aside for a while. One sunny warm day I decided to give Wood Violet another try; and this time the earthy smell felt right in place: it was a scent of spring. For a very short time in the beginning I smell some sweetness but then it goes away and the scent stays on my skin green and woodsy for the next 3-4 hours. Wood Violet is quiet and powerful at the same time. I do not need a full bottle of this perfume but a nice purse spray one day will find its way into my collection.

Violet Angel by Thierry Mugler – created in 2005 by Francoise Caron, notes include violet leaves, crystallized sugar, violet, woody note, patchouli and vanilla. Violet Angel smells as if original Angel ate a whole garden of violets. Wait… If I remember it correctly, it did eat the whole garden of different flowers – roses, peonies, violets and lilies. But let’s look just at this act of gluttony. Violet Angel is slightly less sweet than the original perfume, it has some woodsy note and, if you concentrate very hard or have another violet perfume for the reference on, let’s say, another wrist, you can smell some violets, sugared violets. But Angel’s signature caramel (in case of Angel Violet it’s called crystallized sugar – which is the same thing)-patchouli-vanilla is too prominent and too recognizable. I haven’t tried other flowers yet but, in my mind, violets are the least suited to be an Angel modifier. It isn’t different or special enough for either Angel fans or Angel haters. I’ll stick to my beloved Angel EdP.

Black Violet by Tom Ford – created in 2007 as a part of the original Private Blend collection, notes include bergamot, citruses, fruity notes, violet, oakmoss and woodsy notes. It opens a citrus scent blended into sweet fruity notes, then almost immediately citrus goes away leaving slightly dryer but still sweet enough floral scent with a nice wood note. For me Black Violet is not a transparent scent, it has substance. I think “dark” part suits it well (though I remember reading the opposite opinion from other reviewers). I like Black Violet it the most 2-3 hours into wearing. It lasts for 12+ hours on the skin. In the final phase (and only there) it smells similar to Violet Blonde.  I want to add Black Violet to my collection but, the same as Ines from All I am – a redhead, who recently reviewed Black Violet, I’m not ready to pay the price of a 50 ml bottle (and I do not need a bigger bottle – which would make price per ml much more tolerable). So if anybody comes across a friendly split of this perfume, please let me know.

Do you have a favorite violet perfume? If you’ve reviewed it on your blog, please share a link.

See all episodes:
Weeklong Test Drives, Season 4: Tom Ford
WTD, Episode 4.1: Neroli Portofino and Jasmine Rouge by Tom Ford
WTD, Episode 4.3: Noir de Noir, Oud Wood and Arabian Wood by Tom Ford

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In the Search for the Perfect Pear

In my childhood August a month before the school started and a month when an old pear tree in my grandparents’ garden was ready to share with us the best pears I’ve ever eaten in my life.

August Pear

I was too little to think of such things as variety so all I can remember now: it resembled Comice pear – green-yellow with an occasional red blush. The tree was tall, with a lot of branches. Low hanging fruits … were allowed to ripe on the tree. Whenever I felt like it I could go there and choose which one I wanted to eat. Pears that grew higher on the tree would be usually picked slightly immature and left to ripen in the summerhouse. My Grandfather had built it himself and I loved spending time in it – playing when I was younger or reading when I got older. A wonderful smell of dozens ripening pears accompanied me in those hot summer days when tired of running around in the sun I would resort to the shade of the summerhouse.

Unlike mimosa, linden or lilac – all scents which I always loved and wanted to wear as a perfume, I’ve never considered pear to be a wearable scent. I like eating them in the season, don’t miss them off-season and definitely don’t want to smell of them.

I like Petite Cherie by Annick Goutal – created in 1998, notes include pear, peach, musky rose, fresh-cut grass, vanilla. But I wore it for years before I learned it had a pear note. Even after that I thought I couldn’t smell a pear note. I tried to describe how Petite Cherie smelled and I couldn’t. I can’t come up with words to represent what I smell and the scent doesn’t remind me of anything else so I can’t even offer an association. I do not have any special memories connected to Petite Cherie, so probably I really just enjoy the scent. If you’ve tried it you know how it smells and if you haven’t – try because whatever description you’ll read will not give you the right picture of what to expect from this perfume. For years I thought of it as of a universal darling but recently I met a couple of people who, to my surprise, found this perfume to be unpleasant. I wore it again while working on this post and I still love it.

Deep Red by Hugo Boss – created in 2001 by Alain Astori and Beatrice Piquet, notes include black currant, pear, tangerine, blood orange, ginger leaves, freesia, hibiscus, sandalwood, Californian cedar, vanilla and musk (fragrantica.com). This is one of my favorite perfumes from my pre-perfumista period of life. I know Perfumeland’s attitude towards that brand. I realize that it probably isn’t that great and stands out both in this post and in my current collection. And I do not care: I liked Deep Red for many years; I went through two bottles of it and still have some juice left in the third one; and I still enjoy wearing it.

English Pear & Freesia by Jo Malone – created in 2010 by Christine Nagel, notes include pear, freesia, rose, amber, patchouli and woods (from jomalone.com; other sources mention quince, rhubarb and white musk). Sweet, almost gourmand but not quite because of the strong floral component. It’s a bright and warm scent but at the same time it maintains transparency usual to Malone’s colognes. It doesn’t develop much on the skin (as most of other perfumes in this line) but if you like what you smell it’ll stay with you for hours. I got a small decant of English Pear & Freesia from a co-worker and I will buy a bottle once it’s gone.

La Belle Hélène by Parfums MDCI – created in 2010 by Bertrand Duchaufour, notes include pear accord, aldehydes, tangerine, lime blossom, rose essence, osmanthus absolute, ylang-ylang Madagascar, orris butter, hawthorn, Mirabelle plum, myrrh, vetiver Haiti, patchouli, cedar Virginia, amber, oak moss absolute, white musks, sandalwood, licorice wood (luckyscent). It’s a true gourmand scent, sweet but with some dirty note in the drydown. For me La Belle Hélène smells not like a pear fruit but like a pear tart (love those). It’s much more complex than English Pear & Freesia. I got my sample from a draw at Persolaise – A Perfumer’s Blog. I like how it smells and develops on my skin but I’m not sure if I want to wear it as a perfume. The price is also a stopping point. So when I’m done with the sample I won’t probably be seeking even a decant (read the review that inspired me to test this perfume again recently).

Mon Numéro 1 by L’Artisan Parfumeur – created in 2009 by Bertrand Duchaufour and re-launched in 2011 (though I can’t find it now on L’Artisan’s website), notes include pear, basil, bergamot, violet leaves, black currant buds, mimosa, osmanthus, magnolia flower, hay, musk, vanilla. I have a strange relationship with this perfume. I thought I would like it. I wanted to like it. It opens very nice and fresh on my skin but then in one out of three times it becomes too soapy – and not in a nice, clean way. It always dries down to a more pleasant and well-balanced scent but it doesn’t excite me, I do not feel compelled to wear it more. I’m very grateful to my perfume friends for the opportunity to try it (Suzanne shared with me some Mon Numéro 1 from Birgit’s sample) and want to assure them that it wasn’t a total waste: even though I do not like it as much as they did (read their reviews through the links above), Mon Numéro 1 helped me to learn what is called “pear” in perfumery. I do not recognize it as a pear scent but I smell it in all tested perfumes with that note listed in the description. So now I know. And I do not mind smelling like that “pear.”

Honey Pear Tea

What is your perfect pear?

Mine – Honey Pear by Golden Moon Tea.

 

Images: my own

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Tea Break

I enjoy drinking brewed tea. In my day-to-day life I consume mostly not caffeinated (not de-caffeinated!) teas from tea bags but on weekends or when having friends over I like making real tea. I’m not a tea snob, I do not read about teas even as much as I read about perfumes so I have no idea if teas that I like are amouages or britney spearses of the field. And I do not really care as long as I like how they smell, how they taste and how they look.

Golden Moon TeaI knew nothing about the brand when one of my friends brought a couple of Golden Moon Tea’s tins as a gift – one with White tea (with an unexpectedly for a white tea well-defined taste) and one with black tea and vanilla (they do not carry it any longer but this one is the closest to the one I tried before). If you were to apply L’Artisan’s Tea for Two lightly, wait for couple of hours and then add Diptyque’s Eau Duelle you would get something close to how Madagascar (black tea) smells.

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Dial M for… Spring or A Perfect Mimosa

A gray chilly day, gray dirty slush on the pavement, gray skies and serious men in gray gabardine overcoats with gray newspaper cones – in their hand, under arm or even sticking out of a handbag. And confined in each of those cones are hundreds of small suns.

MimosaThis is how I remember 8th of March, an International Women’s Day, from my childhood. Of course, there were other early spring flowers – tulips and daffodils (back then we didn’t have “evergreen” roses yet) – but mimosa* was strongly associated with this holiday (a combination of Mother’s Day and St. Valentine’s Day). Mimosa was such a sunny and happy flower that you couldn’t help feeling Spring in the air even though it was still cold and unpleasant outside.

It’s almost never cold where I live now; all seasons’ boundaries are blurred and I gladly swapped not so “international,” as I found out, holiday for a more romantic, in my view, local one. But I still smile and my heart fills with joy whenever I see these bright golden constellations on a filigree of silvery leaves.

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